Tag: horror genre

Hell House LLC Review

by Finn the Brave, posted in Movies

Introduction

“Hell House LLC” is a found-footage, supernatural horror film directed by Stephen Cognetti. The film opens with documentary-style interviews interspersed with footage from a news report detailing the tragic events that occurred at the Abaddon Hotel during the opening night of a haunted house attraction called Hell House. The news report reveals that 15 people died in a mysterious fire at the hotel, with only one survivor, Sara Havel, remaining unaccounted for.

Following the news report, the film transitions to footage shot by a documentary crew investigating the events leading up to the tragedy. The crew interviews Sara’s friends and former employees of the haunted house attraction to uncover the truth behind what happened on that fateful night. Through their interviews and the found footage they uncover, viewers are gradually introduced to the eerie atmosphere of the Abaddon Hotel, the strange occurrences experienced by the Hell House LLC crew during their preparations for opening night, and the mounting sense of dread that ultimately leads to the hotel’s horrifying climax.

The various footage used at the beginning looks so realistic that it immediately creates believability.  I actually had to pause the movie on my first watch-through to double check I’d picked a real horror film and not accidentally selected a real documentary by mistake.  As the documentary crew delves deeper into the mystery, they begin to unravel the dark secrets hidden within the walls of the Abaddon Hotel, setting the stage for a terrifying journey into the heart of darkness. The introduction sets the stage for the chilling events that unfold throughout the rest of the film, laying the groundwork for a gripping and suspenseful horror experience.

Horror Elements

In “Hell House LLC,” the antagonist is the malevolent entity or entities haunting the Abaddon Hotel. While the film does not explicitly reveal the origin or nature of the antagonist, it is heavily implied that the hotel itself is possessed by dark forces that seek to terrorize and harm those who enter its halls.  The primary antagonist of the film is the Abaddon Hotel, a decrepit and haunted building where the Hell House attraction is set up. The hotel serves as the central location of the film’s events and is depicted as a malevolent entity in its own right. The history of the hotel, including its mysterious past and the tragic events that occurred within its walls, contributes to its sinister reputation.  Throughout the film, the characters experience unexplained phenomena and encounters with supernatural entities within the hotel. These manifestations include ghostly apparitions, sinister whispers, and inexplicable disturbances that suggest a malevolent presence lurking within the building. The exact nature of these forces remains ambiguous, adding to the sense of terror and mystery surrounding the antagonist.  

In addition to this, the antagonist exerts a manipulative influence over the characters, luring them deeper into its grasp as they attempt to uncover the truth behind the hotel’s haunting. The hotel’s dark influence drives the characters to madness and paranoia, leading to increasingly dire consequences as they struggle to escape its clutches.  In addition to physical threats, the antagonist in “Hell House LLC” inflicts psychological terror on the characters, exploiting their fears and vulnerabilities to torment them. The hotel’s haunted history and malevolent presence prey on the characters’ psyches, heightening the sense of dread and hopelessness as they confront their worst nightmares.  

Realism is present throughout the film, especially in regards to the different main characters and their interactions with one another and the environment.  Alex is the owner of the haunted attraction company, Hell House LLC. He’s portrayed as a pragmatic businessman, driven by his passion for creating immersive and terrifying experiences for his audience. His background and motivations are relatable, as he’s depicted as someone who is ambitious and dedicated to his work.  Throughout the film, Alex exhibits a practical and level-headed approach to running his business. He’s depicted as someone who takes his responsibilities seriously, ensuring that the production of Hell House LLC runs smoothly and efficiently. His decision-making process and problem-solving skills reflect those of a real-world business owner, adding authenticity to his character.  Despite his professionalism, Alex also grapples with personal struggles and conflicts. As the haunting at the Abaddon Hotel intensifies, Alex must confront his own fears and doubts about the safety of his crew and the integrity of his business. His internal conflicts add depth to his character and make him more relatable to the audience.

Movie Elements

While found-footage horror films were already popular by the time “Hell House LLC” was released, the film puts a unique spin on the genre by framing the story as a documentary investigating the events leading up to the tragedy at the Abaddon Hotel. This approach adds depth to the narrative by incorporating interviews with survivors and witnesses, as well as footage captured by the characters themselves, creating a sense of authenticity and immersion.  While haunted house attractions are a common theme in horror movies, “Hell House LLC” explores this concept in a fresh and innovative way by setting the story within an actual haunted hotel. The Abaddon Hotel serves as a chilling backdrop for the film’s events, with its dark history and malevolent presence adding layers of mystery and suspense to the narrative.  

Rather than relying solely on jump scares and graphic violence, “Hell House LLC” builds tension and suspense through a gradual escalation of horror. The film employs subtle atmospheric cues, eerie visuals, and psychological terror to unsettle viewers, creating a sense of dread that intensifies as the story unfolds.  “Hell House LLC” keeps audiences engaged by weaving a compelling mystery throughout the narrative. Viewers are drawn into the investigation as the documentary crew uncovers clues and revelations about the true nature of the haunting at the Abaddon Hotel, leading to a series of shocking twists and revelations that keep them guessing until the very end.  Instead of relying heavily on CGI, “Hell House LLC” utilizes practical effects and clever cinematography to create its scares. The film employs subtle visual cues, practical makeup effects, and clever camera tricks to evoke a sense of unease and terror, resulting in a more visceral and immersive viewing experience.

Much of the cinematography in “Hell House LLC” consists of handheld camera work, simulating the amateur documentary style. This technique enhances the sense of realism and urgency, as the camera captures the chaos and terror unfolding within the haunted attraction.  In addition to handheld footage, the film also incorporates static shots and surveillance footage to create a sense of surveillance and voyeurism. These shots add to the atmosphere of unease and tension, as viewers are presented with eerie glimpses of the supernatural activity occurring within the hotel.  The cinematography in “Hell House LLC” often relies on natural lighting sources within the haunted attraction, such as dimly lit hallways, flickering candles, and ominous shadows. This use of natural lighting enhances the atmosphere of the film, creating a sense of darkness and claustrophobia that contributes to the overall sense of dread.

While the film features mostly unknown actors, their performances contribute to the overall sense of realism and immersion in the found footage format.The actors in “Hell House LLC” deliver their lines in a naturalistic manner, which adds authenticity to their performances. This style of acting enhances the believability of the found footage format, as viewers feel like they are watching real people reacting to terrifying events.  The actors demonstrate a wide emotional range throughout the film, from excitement and enthusiasm during the setup of the haunted house attraction to fear and panic as the supernatural occurrences escalate. Their ability to convey genuine emotion enhances the audience’s investment in the characters and their plight.  The chemistry between the cast members helps to establish a sense of camaraderie and camaraderie among the characters. This camaraderie is crucial in building tension and suspense, as viewers become invested in the relationships between the characters and their fates.  The actors’ reaction shots are particularly effective in selling the horror and terror of the situation. Their expressions of fear, shock, and disbelief help to heighten the tension and suspense, drawing viewers deeper into the terrifying world of the Abaddon Hotel.

Conclusion

In conclusion, “Hell House LLC” is a chilling found footage horror film that effectively utilizes its format to immerse viewers in a terrifying and suspenseful narrative. Set in the eerie confines of the Abaddon Hotel, the movie follows a documentary crew as they investigate the tragic events surrounding a haunted house attraction gone awry.  The film does a great job with its authentic performances, naturalistic delivery, and genuine scares. Overall, “Hell House LLC” delivers a haunting and immersive experience that lingers long after the credits roll, making it a must-watch for fans of atmospheric horror and supernatural thrills.

Final Scare Me Please Score:  “This clown head can’t turn but it did”, out of 100

Link To Official Trailer

Have you watched this movie? What did you think? Anything we missed? Have an idea for what we should watch next? Drop a comment below to let us know!

The Autopsy of Jane Doe Review

by Finn the Brave, posted in Movies

A Top 13 for Scare Me Please!

Introduction

In the realm of horror cinema, few films have managed to captivate audiences with the same chilling intensity as “The Autopsy of Jane Doe”.  Directed by André Øvreda, this masterfully crafted tale takes viewers on a harrowing journey into the macabre world of forensic pathology, where every incision reveals not only the secrets of the dead but also the horrors that lie beyond the veil of death itself.  At the heart of the movie lies its titular character, an unidentified corpse discovered at a gruesome crime scene.  As father-son coroners Tommy and Austin Tilden meticulously dissect Jane Doe’s body, they unwittingly unravel a sinister mystery that defies rational explanation.  What begins as a routine autopsy soon descends into a nightmare of supernatural terror, as the Tildens confront malevolent forces that challenge their understanding of life, death, and the afterlife.  Through a series of eerie revelations and bone-chilling encounters, the film plunges viewers into a realm where the line between the living and the dead blurs into an abyss of dread and despair.

Horror Elements

Jane Doe’s identity and the cause of her death are unknown throughout the film. This mysterious element creates a sense of dread and uncertainty, as the characters, and the audience, are left grappling with the inexplicable.  As the autopsy progresses, the examination of Jane Doe’s body reveals increasingly bizarre and supernatural phenomena. These phenomena, such as inexplicable injuries, internal anomalies, and signs of torture, serve as the primary source of horror and tension in the film.   Jane Doe’s body seems to possess a malevolent intelligence, as it manipulates the environment of the morgue and the characters conducting the autopsy. This manipulation leads to escalating chaos and terror as the night unfolds.  

The film’s musical score is used sparingly but effectively to underscore key moments of tension or horror. It builds gradually, intensifying the atmosphere and signaling impending danger.  Faint whispers and murmurs occasionally punctuate the silence, suggesting unseen entities or unsettling the characters as they delve deeper into Jane Doe’s mysteries.  Jump scares are accentuated by sudden, jarring noises, such as a loud bang or a piercing scream. These moments startle both the characters and the audience, heightening the film’s tension.  As the supernatural events escalate, sounds become distorted or warped, creating an unsettling auditory experience. This distortion contributes to the sense of disorientation and fear experienced by the characters.  The radio in the morgue intermittently broadcasts news reports or music, adding to the sense of isolation and claustrophobia. These broadcasts often serve as a stark contrast to the eerie events unfolding in the morgue.  I especially like how the news reporter, while the tension builds within the scene, makes the comment, “One thing’s for sure, you’re not going anywhere”, almost as if the reporter is yet another manipulation of the Jane Doe corpse (which we find out at the very end, it is). 

Central to the film’s unnerving impact is its meticulously crafted atmosphere of dread. Set primarily within the claustrophobic confines of Tildens’ mortuary, the film creates a sense of isolation and confinement that intensifies the psychological tension. Every creak of the floorboards, every flicker of the lights, and every shadowy corner becomes a harbinger of impending terror, heightening the audience’s sense of unease with each passing moment. Through its deft use of lighting, sound design, and cinematography, “The Autopsy of Jane Doe” envelops viewers in a suffocating blanket of fear, trapping them in a nightmarish labyrinth from which there is no escape.

One of the best parts of this movie was the realistic dialogue, actions, and science behind each scene.  Maybe I’m biased having majored in sport and nutritional sciences, but the anatomical horrors during the autopsy really got to me.  For example, seeing the clouding of the eyes after knowing the time of death terrified me beyond belief, even before the character’s explanation.  The alarm bells in my head kept screaming “That shouldn’t be happening!”.  I also loved how realistic the progression of the character’s fear and actions were.  At first, when the son starts to get spooked, suggesting they just leave and finish the autopsy in the morning, the father completely goes into “Dad Mode” telling his son, “When we start something, we finish it”.  As the events of the evening turn from creepy to flat-out supernatural horror, the dad instead says something to the effect of “let’s get the eff out of here”.  I loved this as it’s totally how I’d envision the scene progression going down.  

Movie Elements

Jane Doe represents more than just a deceased body; she symbolizes the mysteries and horrors of death itself. Through her, the film explores themes of mortality, the unknown, and the consequences of meddling with forces beyond human comprehension.

Anchoring the film’s visceral impact are the performances of Brian Cox and Emile Hirsch, who deliver haunting portrayals of the father-son coroner duo.  Cox brings a world-weary gravitas to the role of Tommy Tilden, a seasoned professional whose belief in the scientific method is shaken to its core by the horrors he encounters.  Opposite him, Hirsch imbues Austin Tilden with raw vulnerability, embodying the desperation of a son grappling with forces beyond his comprehension.  Together, their performances elevate the film beyond mere genre fare, imbuing it with a sense of emotional resonance that lingers long after the credits roll.  

The film begins with a slow and methodical introduction, establishing the setting of the small-town morgue and introducing the main characters, father and son coroners Tommy and Austin Tilden. This initial setup allows viewers to become acquainted with the environment and the protagonists before the supernatural elements are introduced.  As Tommy and Austin begin the autopsy of Jane Doe, the pacing remains measured as they methodically examine her body. Clues and hints about Jane Doe’s mysterious background are gradually revealed, keeping the audience engaged and intrigued as they try to unravel the mystery alongside the characters.  As the autopsy progresses, strange and inexplicable phenomena begin to occur within the morgue, signaling the escalation of supernatural forces at play. The pacing starts to quicken as these events become more frequent and intense, ratcheting up the tension and suspense.  

Midpoint of the film marks a significant shift in pacing, as the supernatural occurrences intensify and the characters find themselves increasingly threatened by unknown forces. The pacing becomes more frenetic during moments of terror and danger, keeping viewers on the edge of their seats.  The film employs well-timed cliffhangers and reveals to maintain momentum and keep the audience engaged. As the mystery surrounding Jane Doe deepens, the pacing becomes more dynamic, with moments of quiet tension punctuated by bursts of intense horror and revelation.  The film’s climax delivers a satisfying resolution to the mystery of Jane Doe while ramping up the tension to its peak. The pacing becomes relentless as Tommy and Austin confront the malevolent forces within the morgue, leading to a final showdown that provides catharsis for the characters and the audience alike.

Utilized within the film is tight framing and narrow compositions to emphasize the cramped and claustrophobic nature of the morgue setting. Close-up shots of the characters and the autopsy table convey a sense of confinement, amplifying the feeling of isolation and vulnerability.  The film utilizes subjective camera angles to convey the characters’ perspectives and heighten tension during moments of terror. Low-angle shots looking up from the autopsy table or high-angle shots looking down on the characters create a sense of vulnerability and unease.  The morgue is predominantly lit with dim, harsh lighting, casting deep shadows and obscuring details. This low-key lighting scheme creates an ominous atmosphere and adds to the sense of mystery and unease surrounding Jane Doe’s body.  

One of the main reasons this movie gets a spot on our “Top 13” list is for its originality; I’ve never watched a horror film quite like it.  The entertainment factor is also up there as I’ve no joke, probably watched the movie over close to 20 times.  More importantly, I have been scared by this movie each and every viewing despite knowing exactly how the film will play out.  Considering how many horror movies are out there, it’s really got to be something special for me to want to rewatch it that many times.    

Conclusion

In “The Autopsy of Jane Doe,” André Øvredal has crafted a modern horror masterpiece that transcends the conventions of the genre. Through its chilling narrative, atmospheric setting, and powerhouse performances, the film offers a profound meditation on mortality, terror, and the fragility of human existence. As viewers are drawn deeper into the mysteries of the Tildens’ mortuary, they confront not only the horrors lurking within its walls but also the dark recesses of their own fears and uncertainties. In the end, “The Autopsy of Jane Doe” stands as a testament to the enduring power of horror cinema to probe the darkest corners of the human psyche and leave audiences forever changed.

Final Scare Me Please Score:  “One thing’s for sure, you’re not going anywhere”, out of 100

Link To Official Trailer

Have you watched this movie? What did you think? Does it deserve a spot in our Top 13 scariest movies list?  Have an idea for what we should watch next? Drop a comment below to let us know!

Marrowbone

by Finn the Brave, posted in Movies

Introduction

“Marrowbone” is a 2017 horror film directed by Sergio G. Sánchez, (he also was a screenwriter for another great horror film “The Orphanage” which I fully plan on reviewing here as well).  Essentially, the movie tells the story of a family who flees to a remote house in rural America to escape a dark past. However, sinister forces begin to unravel their fragile peace as they struggle to keep their secrets buried. The film weaves a tale of psychological horror, family bonds, and supernatural elements that keep the audience on edge throughout its entirety.

Horror Elements

The antagonist in “Marrowbone” is a malevolent force that threatens the fragile stability of the family at the center of the story. This character embodies various forms throughout the film, from external threats to internal conflicts and hidden secrets. Without a clear-cut villain in the traditional sense, the antagonist in “Marrowbone” manifests as a sinister presence lurking in the shadows, manipulating events from afar.  The film crafts a narrative where the true nature of the antagonist remains shrouded in mystery, leading to a sense of unease and paranoia among the characters and the audience alike. This ambiguity allows for multiple interpretations and keeps viewers guessing until the final revelation. 

Adding to the horror, the film’s musical score plays a significant role in building suspense and accentuating key moments of horror. Composer Fernando Velázquez crafts a haunting and atmospheric soundtrack that heightens the emotional impact of the story. Swelling strings, dissonant chords, and ominous melodies underscore moments of danger and uncertainty, intensifying the overall sense of dread.  Equally as scary, was the lack of sound.  Silence is inserted at just the right moments to magnify the feel of dread within the scene.

As the plot plays out, it’s quite clear just how much thought went into developing the backstory of the characters, both the good and the bad.  This influence permeates every aspect of the film, driving the family to desperate measures to protect themselves and their secrets. Whether it’s through subtle psychological manipulation or more overt acts of violence, the antagonist’s presence and mysterious backstory looms large, casting a shadow over the family’s attempts at redemption and reconciliation.  

What makes this particularly effective is its connection to the protagonists’ past traumas and buried secrets.  As the layers of the narrative are peeled back, the true extent of the antagonist’s influence becomes increasingly apparent, leading to a chilling climax that forces the characters to confront their darkest fears on screen.  

Movie Elements

One of the strengths of “Marrowbone” lies in its atmospheric tension and mood. Sergio G. Sánchez creates a palpable sense of dread, utilizing the isolated setting of the family’s dilapidated mansion to great effect. The cinematography enhances the eerie atmosphere, with dimly lit interiors and sprawling, misty landscapes adding to the sense of foreboding.  Throughout the movie, subtle ambient sounds are employed to create a sense of unease and tension. This might include the distant howling of wind, creaking floorboards, or the faint rustling of leaves outside the mansion. These sounds serve to establish the isolated and foreboding atmosphere of the setting.

The performances in “Marrowbone” are another highlight. The young cast delivers compelling and nuanced portrayals, particularly George MacKay as the protective eldest brother Jack and Anya Taylor-Joy as the mysterious local girl who befriends the family. Their chemistry adds depth to the characters and helps to anchor the emotional core of the film.  The relationships between the characters in “Marrowbone” are central to the film’s originality. These dynamics within the family unit are intricate and multifaceted, with each member struggling with their own inner demons and conflicts. The bond between the siblings, particularly the protective nature of the eldest brother Jack, adds depth to the narrative and distinguishes it from more traditional horror fare.

Furthermore, “Marrowbone” is bolstered by its intricate narrative structure and well-paced storytelling. The film employs a non-linear narrative structure, which adds layers of complexity and intrigue to the storytelling. Rather than presenting events in a straightforward manner, the film jumps back and forth in time, gradually unveiling the family’s troubled past and the secrets they harbor. This approach keeps the audience engaged and guessing, as they piece together the puzzle of the characters’ lives.  Though it’s certainly not the only film to ever utilize this style of plot progression, it was well-done and certainly told an interesting story in a unique way.  

Conclusion

As I prefer to do with all the movies I review, I watched it three times before writing this.  Though the fears and anxiety were only present during the first watch through, the movie was still quite enjoyable during the second and third viewings. Something I feel the need to mention here, is out of all the plot twists within horror movies I’ve watch, this is one of the few that actually gave me a strong physiological response:  nausea.  It was such an upsetting shock, I actually felt sick from it which is exactly what a good twist should do.  Maybe not the sick part, but extreme shock for sure.  Overall, “Marrowbone” is a captivating and atmospheric horror film that effectively blends psychological tension with supernatural elements. While it may not offer action-packed violence and gore, its strong performances, eerie atmosphere, and compelling storytelling make it a worthwhile watch for fans of the genre.  

Final Scare Me Please:  How could you ever live in that house after that trauma, out of 100

Marrowbone Official Trailer

Have you watched this movie? Did you figure out the plot before the great end-reveal?  Suggestions for what we should watch next? Drop a comment below to let us know!

Teke Teke

by Finn the Brave, posted in Folklore

The origin of Teke Teke is a chilling urban legend from Japan that has captivated imaginations for generations.  It draws inspiration from various cultural elements, including the country’s modernization and the development of its extensive railway system, including the bullet train.

One interpretation of the legend suggests that the character’s appearance and haunting nature are symbolic of the dangers associated with Japan’s rapidly advancing industrialization and urbanization, particularly during the post-war period when the country experienced significant economic groth and infrastructural development, including the introduction of high-speed bullet trains.  

During the early days of the bullet train, officially known as the Shinkansen in Japan, there were several notable accidents that highlighted the risks associated with high-speed rail travel and the challenges of implementing such advanced transportation technology.  One of the earliest and most significant accidents occurred on June 15, 1964, just nine days before the opening of the first Shinkansen line between Tokyo and Shin-Osaka.  During a test run near Sakurazaka Station in Fukushima Prefecture, the newly built Hikari Express collided with a freight train that had mistakenly entered the same track.  The collision resulted in the derailment of the Hikari Express and the death of the train conducter and a technician.  This incident underscored the importance of rigorous safety protocols and thorough testing before the Shinkansen’s official launch.  

Another notable accident took place on August 20, 1987, when the Akatsuki Shinkansen derailed near Maibara Station in Shiga Prefecture.  The derailment was caused by a crack in the train’s wheel axle, resulting in seven fatalities and over 200 injuries.  This incident prompted extensive safety inspections and upgrades to the Shinkasen fleet to prevent similar accidents in the future.  

These accidents, among others, led to significant improvements in safety measures, infrastructure, and technology within Japan’s high-speed rail network.  Today, the Shinkansen is recognized as one of the safest and most efficient railway systems in the world, with a remarkable safety record and millions of passengers traveling on its trains every year.  However, the early days of the bullet train serve as a reminder of the challenges and risks involved in pioneering new transportation technologies.

The legend of Teke Teke embodies fears and anxieties related to the rapid pace of modernization and the potential dangers it brings, such as accidents and tragedies involving trains and railway tracks.  The image of a young woman tragically severed by a speeding train resonates with the inherent risks associated with Japan’s bustling transportation networks, including the bullet train, which is known for its high speeds and efficiency.

Furthermore, the sound she makes as she drags herself along the ground, often described as “teke teke”, may evoke the sound of a train speeding along the tracks, further linking her to the railway system and the dangers it poses.  In this way, the influence of the bullet train on the Teke Teke legend underscores the intersection of folklore, cultural anxieties, and technological progress in Japan’s modern society, creating a haunting narrative that continues to serve as a cautionary tale about the perils of progress.

According to the legend, Teke Teke is the vengeful spirit of a young woman who met a tragic fate on the train tracks.  There are variations of the story, but the most common one tells of a girl who was either pushed onto the tracks or accidentally fell while running away from an attacker.  In one story, it was during cicada season, and a group of bully classmates put an insenct on a girls shoulder, causing her to jump backwards into an on-coming train.  Afterwards, the students all went home and pretended she’d just jumped herself.  

A second popular variation involves a sexual assault which leaves her (sometimes referred to as Kashima Reiko) unconcious upon the train tracks.  Eventually a bullet train comes along cutting her in half, but it was such a cold evening, she remains alive and is able to crawl quite a ways before finally passing away.  In either case, she was severed in half by the speeding train, leaving her with only her upper body remaining.  

In some versions of the legend, Teke Teke is said to roam the streets at night, dragging her upper body along with her hands or elbows, making a distinctive “teke teke” sound as she moves.  It is said that if she catches you, she will slice you in half with a scythe or other sharp object (sometimes even long claws), mirroring her own gruesome demise.  Others claim that she may appear to individuals who have witnessed her tragedy or have been disrespectful to the dead, haunting them until they meet a similar fate.  In one version, she will ask the question, “Where is my body?” or “Where are my legs?”.  The answer to this is Meishin Expressway and if answered incorrectly, she’ll attack.  

Teke Teke has become a popular figure in Japanese horror culture, inspiring numerous urban legends, stories, manga, literature, movies and even a couple video games.  Despite it’s relatively recent origins, the legend has undoubtedly influenced Japanese horror cinema and storytelling, contributing to the broader landscape.  Her tale serves as a cautionary reminder of the dangers of wandering alone at night and the consequences of violence and cruelty.  Whether she is a figment of the imagination or a restless spirit seeking revenge, Teke Teke continues to haunt the dark corners of Japanese folklore, sending shivers down the spines of those who dare to listen to her tale.

Below I’ve included some links if you’re interested in exploring Teke Teke a bit further:

Book:

Teke Teke

Movie:

Teketeke (2009)

Video Games:

Teke Teke 

Teke Teke:  Moonlight Dread

Sources:

Teke teke. Yokai.com. (n.d.). https://yokai.com/teketeke/ 

The 9 Horror Movie Subgenres

by Finn the Brave, posted in Movies, Uncategorized

Gothic Horror

Gothic horror, with its rich tapestry of atmospheric settings, supernatural elements, and psychological depth, stands as one of the most enduring and captivating subgenres of horror cinema. Rooted in the Gothic literature of the 18th and 19th centuries, these films evoke a sense of foreboding and unease, drawing viewers into worlds where darkness reigns and the boundaries between the natural and the supernatural blur. From haunted mansions to isolated castles, from tormented protagonists to vengeful spirits, Gothic horror movies offer a mesmerizing glimpse into the macabre and the uncanny.

Central to the Gothic horror subgenre is its evocative use of atmospheric settings to establish a sense of dread and suspense. Whether it’s a crumbling mansion shrouded in mist, a desolate moor haunted by spectral apparitions, or a labyrinthine castle echoing with the whispers of the past, these films transport viewers to eerie landscapes where every shadow hides a sinister secret. Through careful attention to detail in set design, lighting, and cinematography, Gothic horror movies create immersive worlds that serve as both a backdrop and a character in their own right, heightening the sense of unease and uncertainty that permeates the narrative.

Another hallmark of Gothic horror is its embrace of the supernatural, weaving tales of ghosts, demons, and otherworldly entities that defy rational explanation. Whether it’s a vengeful specter seeking retribution for past wrongs, a cursed artifact unleashing unspeakable horrors, or a malevolent force lurking in the shadows, these films delve into the realms of the unseen and the unknown with chilling effectiveness. Through subtle hints, eerie apparitions, and heart-stopping scares, Gothic horror movies blur the line between reality and the supernatural, leaving viewers questioning what lies beyond the veil of the ordinary.

Beyond its atmospheric settings and supernatural elements, Gothic horror also explores the depths of the human psyche, delving into themes of madness, obsession, and forbidden desires. From tormented protagonists grappling with inner demons to sinister villains driven by dark impulses, these films probe the darker recesses of the human condition with unsettling precision. Through complex characters, intricate plot twists, and psychological tension, Gothic horror movies offer a nuanced exploration of fear and anxiety, tapping into universal anxieties and primal fears that resonate with audiences on a deeply visceral level.

Supernatural Horror

Supernatural horror, with its chilling tales of ghosts, demons, and otherworldly entities, occupies a special place in the pantheon of horror cinema. Rooted in ancient folklore and modern fears, these films transport viewers into realms where the natural laws of the universe are twisted and the boundaries between the living and the dead blur into darkness. From haunted houses to cursed artifacts, from possessed individuals to ancient rituals, supernatural horror movies offer a spine-tingling exploration of the unknown and the inexplicable.

At the heart of supernatural horror lies its terrifying array of entities, ranging from vengeful spirits and malevolent demons to eldritch beings from beyond the stars. These films introduce viewers to a menagerie of creatures that defy comprehension, their motives often shrouded in mystery and their powers capable of bending reality itself. Whether it’s a ghostly apparition haunting a lonely mansion, a demonic force possessing an innocent soul, or an extraterrestrial entity stalking its prey, supernatural horror movies tap into primal fears and primal fears and unleash nightmares that linger long after the credits roll.

Another hallmark of supernatural horror is its exploration of cursed locations and objects imbued with malevolent forces. From ancient burial grounds to abandoned asylums, from cursed paintings to possessed dolls, these films delve into the darker aspects of history and folklore, uncovering secrets that should have remained buried. Whether it’s a cursed house that drives its occupants to madness or a cursed artifact that brings death and destruction to all who possess it, supernatural horror movies transform everyday objects and locations into vessels of terror, turning the familiar into the unknown and the ordinary into the extraordinary.

Beyond its terrifying entities and cursed artifacts, supernatural horror also explores the depths of the human psyche, delving into themes of madness, paranoia, and existential dread. From protagonists grappling with their own sanity to ordinary individuals thrust into extraordinary circumstances, these films blur the line between reality and nightmare, challenging viewers to confront their deepest fears and darkest desires. Through intricate plot twists, mind-bending visuals, and heart-stopping scares, supernatural horror movies offer a chilling glimpse into the abyss of the human soul, where fear reigns supreme and the unknown lurks just beyond the threshold.

Monster Horror

Monster horror cinema, with its iconic creatures and visceral thrills, occupies a unique and enduring place in the realm of horror. From ancient myths to modern nightmares, these films tap into primal fears and unleash monstrous entities that stalk the shadows, terrorizing both protagonists and audiences alike. Whether it’s a towering kaiju rampaging through a cityscape, a bloodthirsty werewolf prowling the forest, or a slithering creature lurking in the depths of the ocean, monster horror movies offer a heart-pounding exploration of the monstrous and the macabre.

At the heart of monster horror lies its iconic creatures, each one a terrifying embodiment of primal fears and human anxieties. From classic monsters like vampires, werewolves, and zombies to modern creations like giant mutants and extraterrestrial invaders, these films introduce viewers to a menagerie of creatures that defy comprehension. Whether they’re supernatural entities driven by insatiable hunger or genetically engineered abominations unleashed by human folly, monster horror movies tap into our deepest fears and unleash nightmares that linger long after the credits roll.

Another hallmark of monster horror is its exploration of terrifying environments where these creatures thrive and unleash their havoc. Whether it’s a remote cabin in the woods, a deserted island shrouded in mist, or a bustling metropolis transformed into a battleground, these films transport viewers into landscapes where danger lurks around every corner. Through intricate set design, atmospheric lighting, and immersive sound design, monster horror movies create immersive worlds that serve as both a backdrop and a character in their own right, heightening the sense of terror and uncertainty that permeates the narrative.

Beyond its terrifying creatures and ominous environments, monster horror also explores themes of survival, confrontation, and the human capacity for resilience. From protagonists struggling to escape the clutches of a relentless predator to brave individuals standing up to monstrous threats, these films delve into the primal instincts and moral dilemmas that arise in the face of unimaginable terror. Whether it’s a lone survivor battling against impossible odds or a group of unlikely heroes banding together to defeat a common foe, monster horror movies offer a gripping exploration of courage, sacrifice, and the indomitable human spirit.

Psychological Horror

Psychological horror cinema, with its spine-chilling tales of psychological torment and existential dread, occupies a unique and unsettling place in the realm of horror. Rooted in the darkest recesses of the human psyche, these films delve into the depths of madness, paranoia, and obsession, offering a haunting exploration of the mind’s most terrifying depths. From unreliable narrators to fractured realities, from unseen terrors to psychological unraveling, psychological horror movies captivate audiences with their intricate, albeit, convoluted narratives.

Central to psychological horror is its use of unreliable narratives that blur the line between reality and illusion. Whether it’s a protagonist grappling with delusions and hallucinations or a story told from multiple perspectives, these films challenge viewers to question the nature of truth and perception. Through subtle hints, narrative twists, and mind-bending plot devices, psychological horror movies create a sense of unease and uncertainty that lingers long after the credits roll, leaving audiences questioning their own sanity.

Another hallmark of psychological horror is its exploration of existential dread and the fundamental uncertainties of existence. From protagonists confronting their own mortality to individuals grappling with the nature of reality itself, these films delve into themes of alienation, isolation, and the fragility of human existence. Whether it’s a descent into madness triggered by external forces or an internal struggle against the darkest impulses of the mind, psychological horror movies offer a chilling glimpse into the abyss of the human soul, where fear reigns supreme and the line between sanity and madness blurs into darkness.

Beyond its unreliable narratives and existential themes, psychological horror also excels at creating subtle and insidious forms of terror that seep into the subconscious. Whether it’s a sense of creeping dread that builds slowly over time or a series of unnerving moments that unsettle the audience’s expectations, these films eschew jump scares and gore in favor of psychological tension and atmospheric unease. Through masterful use of sound design, cinematography, and performance, psychological horror movies immerse viewers in a world where every shadow hides a hidden truth and every sound sends shivers down the spine.

Splatter Horror

Splatter horror cinema, with its over-the-top violence, gruesome special effects, and gleeful embrace of gore, occupies a visceral and extreme corner of the horror genre. Rooted in the shock and rebellion of the 1970s and 1980s, these films push the boundaries of good taste and societal norms, offering audiences a cathartic release from the constraints of polite society. From chainsaw-wielding maniacs to flesh-eating zombies, from brutal torture scenes to elaborate death traps, splatter horror movies revel in bloodshed and carnage, delivering thrills and chills in equal measure.

Central to splatter horror is its unabashed depiction of excessive violence and gore, often taken to absurd and cartoonish extremes. Whether it’s gallons of blood spraying across the screen, limbs being severed with abandon, or bodies being mutilated in graphic detail, these films leave little to the imagination when it comes to portraying the horrors of the human body. Through elaborate practical effects, creative use of prosthetics, and innovative filmmaking techniques, splatter horror movies transform violence into a spectacle, shocking and thrilling audiences with its audacity and intensity.

Another hallmark of splatter horror is its emphasis on gore-filled spectacles that push the boundaries of visual storytelling. Whether it’s a group of teenagers meeting grisly ends at the hands of a masked killer or a horde of zombies tearing apart unsuspecting victims, these films revel in creating elaborate set pieces that showcase the creative talents of their filmmakers and special effects artists. From elaborate death traps to elaborate kill sequences, splatter horror movies deliver jaw-dropping moments of carnage and mayhem that leave audiences both horrified and exhilarated.

Beyond its excessive violence and gore-filled spectacles, splatter horror also excels at shocking and transgressing societal norms and taboos. Whether it’s a subversive commentary on contemporary culture or a gleeful celebration of the forbidden and the taboo, these films challenge audiences to confront their deepest fears and darkest desires. Through provocative imagery, provocative storytelling, and provocative themes, splatter horror movies push the boundaries of good taste and decency, inviting viewers to revel in the chaos and mayhem of the human condition.

Slasher Horror

Slasher horror cinema, with its masked killers, inventive kills, and relentless pursuit of terror, stands as one of the most iconic and enduring subgenres of horror. Rooted in the cultural anxieties of the late 20th century, these films offer a visceral and adrenaline-fueled experience, tapping into primal fears and primal desires with chilling effectiveness. From deranged serial killers to vengeful spirits, from isolated cabins to suburban neighborhoods, slasher horror movies captivate audiences with their relentless tension, shocking twists, and unrelenting violence.

At the heart of slasher horror lies its iconic killer, a menacing figure shrouded in mystery and menace. Whether it’s the silent stalker Michael Myers, the vengeful spirit Freddy Krueger, or the unstoppable force Jason Voorhees, these characters have become synonymous with the genre, their masked visages haunting the nightmares of audiences for generations. With their relentless pursuit of victims and their inventive methods of murder, slasher killers embody the darkest fears and fantasies of the human psyche, transforming the mundane into the macabre and the ordinary into the terrifying.

Another hallmark of slasher horror is its emphasis on inventive kills and elaborate death sequences that push the boundaries of visual storytelling. Whether it’s a teenager meeting a grisly end at the hands of a masked killer or a group of unsuspecting victims falling prey to a series of deadly traps, these films deliver jaw-dropping moments of carnage and mayhem that leave audiences both horrified and exhilarated. Through elaborate practical effects, creative use of prosthetics, and innovative filmmaking techniques, slasher horror movies transform violence into a spectacle, shocking and thrilling audiences with its audacity and intensity.

Central to the slasher horror formula is the concept of the final girl, a resilient and resourceful survivor who outwits the killer and emerges victorious against all odds. Whether she’s a lone survivor battling against impossible odds or a group of unlikely heroes banding together to defeat a common foe, the final girl embodies the triumph of the human spirit in the face of unimaginable terror. Through her bravery, intelligence, and determination, she becomes a symbol of hope and resilience, inspiring audiences to confront their own fears and fight back against the darkness.

Body Horror

Body horror cinema, with its visceral depictions of physical transformation, mutilation, and decay, occupies a uniquely grotesque and unsettling niche within the horror genre. Rooted in the anxieties of the human body and the fear of bodily violation, these films explore the boundaries of corporeal existence, challenging viewers to confront the fragility and vulnerability of their own flesh. From grotesque mutations to invasive parasites, from surgical horrors to psychological disintegration, body horror movies offer a disturbing exploration of the limits of the human form and the horrors that lie within.

At the heart of body horror lies its exploration of metamorphosis and mutation, as characters undergo grotesque transformations that defy comprehension. Whether it’s a gradual transformation into a monstrous creature or a sudden mutation triggered by scientific experimentation, these films tap into primal fears of bodily change and loss of identity. Through elaborate practical effects, intricate prosthetics, and innovative visual effects, body horror movies bring these transformations to life in vivid and horrifying detail, immersing viewers in a nightmarish world of flesh and bone.

Another hallmark of body horror is its depiction of invasive and parasitic entities that infiltrate and corrupt the human body from within. Whether it’s a parasitic organism burrowing beneath the skin or a malevolent force taking control of its host, these films explore themes of bodily invasion and loss of autonomy. Through graphic imagery, visceral sound design, and psychological tension, body horror movies evoke a sense of primal revulsion and dread, challenging viewers to confront their deepest fears of bodily violation and existential uncertainty.

Beyond its visceral depictions of physical transformation and mutilation, body horror also explores themes of psychological disintegration and existential dread. Whether it’s a character descending into madness as they confront their own mortality or a society crumbling under the weight of its own decay, these films probe the darkest recesses of the human psyche with unflinching intensity. Through surreal imagery, existential themes, and psychological terror, body horror movies immerse viewers in a world where the boundaries between reality and nightmare blur into darkness, leaving them questioning their own perceptions of self and reality.

Comedy Horror

Comedy horror cinema, with its blend of frights and laughs, occupies a delightfully absurd and entertaining corner of the horror genre. Rooted in the tradition of horror-comedy hybrids, these films offer a unique and often irreverent take on classic horror tropes, combining scares with humor to create an experience that is both chilling and hilarious. From slapstick gags to witty one-liners, from supernatural shenanigans to monstrous mayhem, comedy horror movies invite audiences to embrace the absurdity of the genre and revel in the joy of being scared silly.

At the heart of comedy horror lies its penchant for absurd premises and outlandish scenarios that defy logic and reason. Whether it’s a group of bumbling teenagers facing off against a horde of zombies or a family of werewolves struggling to fit in with suburban society, these films revel in the absurdity of their concepts and the hilarity of their execution. Through over-the-top performances, outrageous sight gags, and tongue-in-cheek humor, comedy horror movies turn traditional horror tropes on their head, inviting audiences to laugh along as they’re being scared senseless.

Another hallmark of comedy horror is its use of meta-humor and parody to poke fun at the conventions of the genre. Whether it’s a self-aware nod to classic horror films or a tongue-in-cheek spoof of contemporary trends, these films delight in subverting audience expectations and playing with genre conventions. From clever references to iconic horror moments to sly digs at Hollywood clichés, comedy horror movies offer a treasure trove of Easter eggs and inside jokes for fans to discover, rewarding repeated viewings with new layers of humor and insight.

Central to comedy horror is its ensemble of irreverent characters and outlandish situations that drive the narrative forward with a blend of humor and horror. Whether it’s a wise-cracking vampire hunter, a lovable monster with a heart of gold, or a hapless victim stumbling into one misadventure after another, these films feature a colorful cast of characters who embrace the absurdity of their predicaments with gusto. Through witty banter, zany antics, and unexpected plot twists, comedy horror movies keep audiences on their toes, never knowing whether to laugh or scream at the chaos unfolding on screen.

Postmodern Horror

Postmodern horror cinema, with its self-awareness, genre-bending narratives, and meta-commentary, stands as a captivating and intellectually stimulating subgenre within the realm of horror. Rooted in the cultural shifts and anxieties of the late 20th and early 21st centuries, these films challenge traditional notions of storytelling and audience expectations, offering a thought-provoking exploration of the medium itself. From deconstructing classic horror tropes to blurring the boundaries between reality and fiction, postmodern horror movies invite audiences on a journey into the labyrinthine corridors of the human psyche and the ever-evolving landscape of popular culture.

At the heart of postmodern horror lies its deconstruction of genre tropes and conventions, as filmmakers subvert audience expectations and challenge traditional storytelling norms. Whether it’s a self-aware nod to classic horror clichés or a meta-textual commentary on the nature of fear and suspense, these films delight in turning familiar tropes on their head and exposing the underlying absurdity of horror conventions. Through clever dialogue, narrative twists, and visual references, postmodern horror movies offer a playful and irreverent take on the genre, inviting audiences to question their assumptions and embrace the chaos of the unknown.

Another hallmark of postmodern horror is its use of metafictional narratives that blur the boundaries between reality and fiction, author and audience. Whether it’s a story within a story, a film within a film, or a character who becomes aware of their own fictional nature, these films challenge traditional notions of narrative coherence and audience engagement. Through intricate plot structures, unreliable narrators, and recursive storytelling techniques, postmodern horror movies immerse viewers in a hall of mirrors where truth and illusion become indistinguishable, leaving them questioning their own perceptions of reality and fiction.

Central to postmodern horror is its exploration of cultural commentary and satire, as filmmakers use the genre as a vehicle for social critique and political commentary. Whether it’s a critique of consumerism and corporate greed, a satire of celebrity culture and media sensationalism, or a reflection on the anxieties of the digital age, these films engage with contemporary issues and themes in provocative and thought-provoking ways. Through allegory, symbolism, and subtext, postmodern horror movies invite audiences to interrogate the underlying fears and anxieties that shape the world around them, offering a mirror to society’s darkest impulses and deepest fears.

The Exit 8 Review

by Finn the Brave, posted in Games

Introduction

As an avid puzzle game enthusiast, the only element that could make a horror game more appealing to me, would be to add a variety of interesting puzzles to it.  This is why I approached “The Exit 8” with eager anticipation, ready to immerse myself in its mind-bending challenges and rewarding solutions.   However, what I found was an experience that left me more exasperated than entertained.

The description on Steam is as follows:

“You are trapped in an endless underground passageway.  Observe your surroundings carefully to reach “The Exit 8”.  Don’t overlook any anomalies.  If you find anomalies, turn back immediately.  If you don’t find anomalies, do not turn back.  To go out from Exit 8.  The Exit 8 is a short walking simulator inspired by Japanese underground passageways, liminal spaces and back rooms.”

The game was straightforward enough to jump into, so without further ado, lets start with the positives.

Horror Elements    

The game’s concept is intriguing, promising a series of “anomalies” one must identify quickly and accurately in order to advance through a series of levels to eventually escape through the eighth, and final, “level”.  These levels are essentially one long, hallway within a subway tunnel that is perpetually on repeat.  Regardless, if you succeed or fail within each level, you must still walk down that same white-tiled hallway again and again.  

Perhaps even more unsettling is the single other character within the game.  Normally having other characters within a horror game is comforting as it reduces the feeling of being alone.  The exact opposite effect is produced here however as the character’s repetitive movements and apparent lack of realization as to their own “time loop”, make their presence extremely disconcerting to say the least.  

This game was indeed reminiscent of the enigmatic and thought-provoking narratives often found in “The Twilight Zone”.  Just as the iconic television series plunged viewers into surreal and unsettling scenarios, “The Exit 8” immerses players in a world (albeit tiny) where the boundaries between reality and the unknown blur into a captivating tapestry of mystery and intrigue.  

Much like “The Twilight Zone”, “The Exit 8” explores themes of existential dread, isolation, and the uncanny with a deft touch that leaves players questioning their own perceptions of reality.  All this is done through these micro-time loops, and done quite well I may add.  Although this feeling is inherently terrifying, the execution falls short in several key areas, mostly due to gameplay mechanics and lack of development.

Gameplay Elements

The gameplay loop in the game is characterized by a series of challenges (anomalies) that, while initially engaging, gradually become predictable and monotonous.  Some of these were blatantly obvious, while others so subtle they managed to fool me multiple times.  

I like a challenge.  What I don’t like is frustration.  The difficulty curve is all over the place.  Some levels are so easy they feel like busywork, while others are so convoluted and obtuse that they border on unfair.  This inconsistency makes it difficult to gauge your progress and leaves you feeling frustrated rather than challenged.    

Another issue is the lack of variety in level types.  While the game starts off promisingly with a diverse range of challenges, it quickly falls into a repetitive cycle of similar puzzles with slightly different skins.  This lack of innovation makes the experience feel stale and monotonous, further contributing to the frustration.  “The Exit 8” unfortunately suffers from a notable lack of replayability, a flaw that diminishes its potential as a long-term gaming experience.  Once players have navigated through the mysteries of Exit 8 and unraveled all its 30 anomalies, there’s little incentive to return to the game’s haunted corridors.  

The primary reason for this lack of replayability lies in the game’s linear structure.  Unlike other horror games that offer endless possibilities for exploration and experimentation, “The Exit 8” follows a predetermined path with limited branching points.  Once you’ve completed the game and uncovered its secrets, there are few surprises left to discover on subsequent playthroughs. 

Additionally, the game’s puzzles and challenges, while engaging initially, lose their appeal upon repeated exposure.  Since the solutions remain constant, there’s little room for variation or improvisation, leading to a sense of predictability that dampens the excitement of replaying the game.  The game lacks meaningful incentives or rewards for multiple playthroughs and without this unlockable content, alternate endings, or any storytelling elements, there’s little motivation for players to revisit the game once they’ve experienced it to its fullest.

Conclusion

Overall, while “The Exit 8” has the potential to be a compelling full horror/puzzle game, its frustrating design choices and lack of polish ultimately undermine the experience.  With all this considered (not to mention the extremely low price), I don’t regret playing it.  While it may not offer much in terms of replay value, its initial playthrough can still be a captivating and memorable experience for fans of atmospheric horror.  However, for those seeking longevity and narrative, “The Exit 8” may leave them wanting more.  I love the idea of this game and really do hope they add more gameplay and mechanics to it.  At only $3.99 on Steam, I would definitely recommend supporting a small game developer, both due to the enjoyment factor that four bucks will bring and with the hopes it will push them towards creating more content. 

Final Scare Me Please score:  Face on the ceiling foiled me every time, out of 100

When a Stranger Calls (Original) Review

by Finn the Brave, posted in Movies

Introduction

Traveling was a major part of my childhood, both overseas and stateside.  My family’s love for exploring was definitely passed on to me, and some of my best memories were made on these trips.  Roadtrips in particular were, and still are, my favorite way to go on adventures.  As an adult, before I go on trips, I always download plenty of audio books to listen to as I drive.  This is another habit I developed as a kid; because I used to get really car sick, I couldn’t ever read or draw during long drives. Instead, I got used to listening to books while looking out the window.  When these books were finished, or we just needed a break from a narrator blaring over the speakers, my mother would tell me stories.  

Now I don’t know what kinds of stories “normal” parents tell their kids, but my parents are far from “normal”, which is probably why I grew up hearing urban legends, movie plots, and serial killer case files as stories.  One of these stories that scared me the most was an urban legend “The Babysitter and the Man Upstairs”.  I used to babysit and be left alone a lot when I was younger, which is probably why this one affected me so much.  Apparently, this legend was based on the real murder case of Janett Christman, a cold case file from 1950 that remains unsolved to this day.  

Multiple movies have been inspired from this  urban legend, and I have seen almost all of them except the original: When a Stranger Calls.  Made in 1979 by Fred Walton, it did well financially but received poor reviews by film critiques due to lack of “scares”. With this in mind, I sat down with some popcorn, made the room as dark as possible, and turned on the movie, ready to judge for myself whether or not it was a good horror film.     

Horror Elements

In the hushed stillness of the night, where every creak of the floorboard becomes a sinister symphony, and each ringing phone note holds the potential for unspeakable horror, emerges a cinematic classic that will have you glancing over your shoulder long after the screen fades to black.  As the clock ticks away, echoing through the corridors of suspense, we embark on a relentless journey into the depths of fear, where an innocent babysitting job turns into a nightmarish confrontation with the unknown.  The piercing ring of the telephone becomes a haunting melody, foretelling a series of events that will send shivers down your spine and make you question the safety of your own home- the one place that should be safe.

Well, at least the first 20 minutes of the movie do this, and I do mean ONLY the first 20 minutes.  In my opinion the rest is weird, unflowing, and extremely boring.   However, the film does end up contributing greatly to the horror genre as a whole, and one of these contributions is accomplished through the main character.

Are the characters unique?  In simplest terms, no.  Both the antagonist nor protagonist is particularly unique as there have been many babysitters and many serial killers in many, many horror films.  However, focusing on the protagonist, what does make her unique is her believability.  Jill Johnson, the main “good” character within the filim, stands as an unwavering pillar against the encroaching darkness.  She is portrayed with haunting authenticity, her character epitomizing resilience in the face of unimaginable terror.  As the unsuspecting babysitter plunges into a nightmarish ordeal, her journey unfods as a masterclass in survival against the enigmatic stranger lurking in the shadows.  With every pulse-quickening encounter and each nerve-wracking phone call, Jill’s tenacity becomes a beacon of hope, proving that courage can emerge even from the darkest corners of fear.  This really is one of the first females to emerge victorious within the horror genre, and I feel she contributes greatly to an ever-growing “heroine turns the tables on evil” sub-genre that seems to be cropping up ever more.    

Another horror element they excelled at were the film’s audio cues.  These serve as an invisible puppeteer, manipulating the audience’s emotions with every creak, every whisper, and every heart-stopping ring of the telephone.  The masterful use of sound design amplifies the tension, creating an atmosphere where the silence becomes as terrifying as the crescendo of haunting melodies.  The subtle orchestration of footsteps, the ominous hum of background noise, and the nerve-rattling phone calls work in symphony to immerse viewers in an auditory nightmare.  I wanted to address this aspect within the “Movie Elements” section, but considering the sound did an excellent job in actually scaring me, I decided to mention it here, though it could as easily transitioned us into our next topic of the “Movie Elements”.

Movie Elements

Bathed in an eerie palette of shadows and suspense, the cinematography of “When a Stranger Calls” stands as a testament to the artistry that elevates a horror film from a mere scare-fest to a visual masterpiece.  The film’s visual language, expertly crafted by the cinematographer, weaves a tapestry of tension and unease, immersing the audience into the heart of psychological terror.  Each frame becomes a calculated brushstroke, creating an atmosphere where every dimly lit corridor and ominous silhouette serves as a harbinger of impending dread.  The play of light and darkness becomes a character in itself, intensifying the spine-chilling narrative and amplifying the audience’s sense of vulnerability.

As the clock ticks through the corridors of cinematic history, “When a Stranger Calls” stands as a paradox, with its opening 20 minutes etched in the annals of horror brilliance.  The initial scenes, featuring the ominous phone calls and the ever-growing tension of the babysitter’s plight, are nothing short of masterclass in suspense.  The calculated use of silence, the gradual build-up of dread, and the harrowing realization that the call is coming from inside the house create an unparalleled sense of unease.  However, as the narrative unfolds, the subsequent acts fail to sustain the same level of intensity, leading to a diminishing return of the initial promise.  To me, this was just un-forgivable.  

Conclusion

Though I love the opening scene (have I already mentioned this?), I can understand why the overall film got negative reviews.  Most of the movie was boring and didn’t seem to flow well, nor make much sense.  Honestly, perhaps I’m biased, but I feel my mom tells this story better than the movie itself did.  Despite this, I would recommend at least seeing this movie once, as it is a classic within the horror genre, which helped numerous other films work their way into our nightmares.  Thank you for joining me as we navigated the chilling narrative, examining the artistry that goes beyond the jump scares, plunging into the psyche of a movie that has become synonymous with the fear of the unknown.  As you finish reading this, are you ready to answer your next call?  Because once you pick up the phone, there’s no escaping the terror that lurks on the other end.

Final Scare Me Please Score: Just watch the first twenty minutes, out of 100

Sources:

When a stranger calls (1979 film) (2023) Wikipedia. Available at: https://en.wikipedia.org/wiki/When_a_Stranger_Calls_(1979_film) (Accessed: 29 July 2023). 

Eyes:  The Horror Game Review

by Finn the Brave, posted in Games

Introduction

Let’s start this Review off with a tangent:  why are eyes so scary?  Typing that question into an internet search popped up a ton of websites discussing ommetaphobia (fear of eyes), but also a few that used the term “Uncanny Valley”.  Originally a formal study conducted in 1970 by Masahiro Mori, a professor of robotics in Japan, this concept has been used within the horror genre for decades.  Essentially it’s the notion that when a humanoid takes on too great a like-ness to humans, yet does not look “real” it creates a fear/disgust response within us.  There’s a lot of ideas why this happens, ranging from it being an inherent survival instinct all the way to the perception of morality.  I fully plan on doing a deep dive into this topic later, but for now it answered my question.  Basically, eyes are scary when they’re “off” (not quite right/normal).  

What initially led me down the valley of uncanny tangents was a game I saw on sale titled “Eyes:  The Horror Game”.  Here’s the e-shop summary:  

“You’re alone.  No one will save you and what’s worse, it was your choice… All you need to know about that this place is that it was a really bad idea.  You have to be brave and determined to learn all the secrets hidden in dark corners.  Good luck, you will need it.  Do you dare to face the revenge-seeking, bloodthirsty Krasue or the haunting demon Charles?  This is just the beginning, more monsters are waiting for you.  Collect as many bags of money as possible and escape from creatures.  If by some miracle, you manage to find out where the threat came from and what is lurking around the corner, you will have a chance to solve this puzzle!  Discover the secrets of an abandoned homestead, try to survive in a haunted hospital and walk the corridors of the possessed school.  There are traps at every side, you can’t feel safe anywhere.  Collect runes – eyes – painted on the walls.  Thanks to them, you gain the ability to see through the eyes of your opponent and you can try to predict his movements.”

It sounded awesome and being only a dollar on sale (free on mobile) I downloaded it and hoped to be scared.  

Horror Elements

Developed by Paulina and Michael Pabis, it’s essentially a stealth-survival horror game in first person perspective.  There are certainly “jump-scare” type moments when the monsters catch you, but I wouldn’t consider this a reaction based game at all.       

As with any game where there are no mechanics that allow the character to fight back, there is a general sense of disempowerment.  However, this is drastically reduced for much of the gameplay due to the programmed monster patterns and distraction items.  To avoid the various monsters completely, all they have to do is jump into a room, closing the door behind them.  There is one level (the school location) in which this isn’t always possible because the doors are on a timer to open, allowing the monster access to places that would normally be considered “safe”.  The sense of fear is almost eliminated, however, by the addition of the “meat” item.  Collected throughout the level, meat can be thrown to distract the monster (Good Boy), creating a buffer to allow for escape.  The exact phrasing of this enemy is, “This hellish beast dwells in the dark corridors.  Bribe it with raw meat- or prepare to become it’s meal.”    

Considering there’s nobody in these abandoned places except yourself and the monster chasing you, the sense of isolation is done well.  Out of all the horror elements, I feel the ones done the best is the sense of of uncertainty as you’re forced to navigate the level while avoiding an evil entity.  Add to this the realization that you cannot escape until you collect enough money bags (forcing you to explore) and you have a great level of tension that stays with you each round.  

There is minimal character development, so you don’t feel particularly attached to your character.  Some development is given to the levels and characters which helps form a plot-line somewhat.  I think the scariest level for me was the initial Mansion with Krasue.  For some reason, she really terrified me, even her summary was unsettling:  “A desire for revenge made Krasue into a bloodthirsty demon.  You will suffer as she did.”  Even her animation (floating head with long hair) and movement patterns (floating in a jerky way) creeped me out.  The first-person perspective at least helps you feel more engaged with the story, making it easier to pretend you’re actually in the game.  Honestly, I was never sure if going around a corner quickly or slowly was better and I’d be lying if I didn’t say I screamed quite a few times while playing.  

Gameplay Elements

In total, there are three monsters within the game that can chase you and three different maps.  By default, the main three places to unlock are the Mansion containing Krasue, the Hospital containing Charlie, and the School containing Good Boy.  The developer did a decent job keeping gameplay interesting by altering mechanics slightly depending on the location.  For example, the hospital level contains an additional item besides coinbags to collect:  “Explore an old haunted hospital, use the mysterious potions to your aid… or doom”.  The map summary briefly mentions the potions available here that you can mix together various ways to allow for different outcomes, benefitting (increased speed, pinpointing money bags) or hindering (disrupting movement, lowered visibility) the player.  In addition to this, there are multiple levels of difficulty, different modes the player can manipulate, and even a sandbox mode, to learn the location layout without being chased by a demonic floating head.

Controls are simple which is good because game play is simple.  There’s only one button that allows for interaction with items within the environment and a button that enables an auto-run for a set duration of time.  To add to the simplicity, the button configuration is shown as a small icon at the bottom of the screen at all times and any extra features are blended into the game environment.  For example, there are potions that can be collected and used during the hospital level with the recipes found on various walls within this location.  This blends in quite well so it looks like graffiti but is done in a different color scheme so it still stands out.   

Graphics overall are decent, but nothing spectacular.  The same goes for the audio and sound effects.  I do have to point out how amazing the detail of the wood flooring was within the mansion level (bizarre to notice that, I know).  That truly is the standard all other games should have to hold themselves to when developing texture.  Out of everything, the most unique part of the game to me were the Eye Runes.  Upon using one, it gives a few seconds of visual from the monster’s point of view; this is the only way to determine where the enemy is at any time.  I’ve never played a game like that before, so I really enjoyed that new game mechanic.  Playing this game has sparked my interest in finding and playing other games similar in concept and play style.             

Conclusion

Out of all the things I expected from this game, I have to be honest and admit that none of them came to fruition.  Despite ranging from the free-dirt cheap price range, the game was incredibly addicting.  Eyes:  The Horror Game does an excellent job with making a low-budget game re-playable and entertaining.  

My main complaint is the over-abundance of coins but barely anything to spend them on after initially unlocking the different game modes.  It would be nice if you could use them to unlock various cosmetics or even items (eye runes, meat, etc.).  My only other disappointment was the double trouble mode; you can combine Krasue and Charlie to be in the same game, but can’t add Good Boy to another character, nor can you add all three monsters together.  This is by no means a deal breaker, but it would be a nice addition.

Before reviewing a game I spend at least ten hours playing it to be certain I’ve given it a fair chance.  I was apprehensive about reviewing this game, thinking it would be a dire struggle to force myself to play it that long, but I enjoyed it so much I easily hit the ten hour mark and am well beyond that now.  It continues to make my heart beat faster when I’m being chased by the monster, which on this blog, is a positive attribute.  Ultimately, I’d recommend giving this game a try and hope the developers continue showing it love.

Final Scare Me Please score:  Just rob a different building, out of 100

The Hoarder Review

by Finn the Brave, posted in Movies

Introduction

So far the movies I have reviewed here have been decent picks. Then came The Hoarder, a slasher film I watched for free on one of my favorite platforms, Tubi. Directed by Matt Winn in 2015, I was excited to watch this one based on the description:

“When Ella discovers that her boyfriend is renting a secret storage unit, she becomes suspicious. She breaks into the storage unit with her friend Molly and discovers something sinister.”

They don’t give away too much and the use of the terms “suspicious” and “sinister” appealed to me.

Being completely free and having a surprisingly large number of horror films, Tubi pretty much meets all my criteria for a number one app on my TV. What it doesn’t include, however, are trailers or ratings. Now this can be good or bad. This “blind” choosing has lead me to gems such as “Aftermath” and “Wretched”; I’m very thankful to have watched. On the bad side, it’s also caused me to endure The Hoarder.

When I write these reviews, I always watch the film at least two times, just to make sure I didn’t miss anything and give it a fair chance. That means, that since I suffered two times, YOU should have to experience it too. So grab a drink, find a comfy place to sit, and prepare yourself for 1500 words of nitpicking.

Horror Elements

There is absolutely no backstory to this film at all. No reason why the fiancé is so untrusting, no reason for the antagonist’s actions, no reason why anyone does anything that they do. There might be a sentence or two in an attempt to enrich character development/plot, but nothing more. Audio/music was about the same and the only suspense I had was wondering how much longer I had to deal with the characters before they got killed.

Nothing about this movie was realistic; allow me to give some examples (i.e. complain). For starters, why in the world would the main character think her fiancé would keep a journal of him cheating on her at all, let alone in a storage unit. If he actively used it, then he’d stash it at his office and if it was past inequities, then he would’ve just junked it. Overall just a lame plot set-up.

Next, why the heck are there so many people in those storage units right when it’s closing? Is that just where people go to hang out in the evenings? I can understand a couple, but there were seven for crying out loud! Then, the lady sees her friend get killed by the “creature” and she seriously refuses to leave without her- no way. She would’ve ran outside, called the police, and stayed out there while they handled it. While we’re on the topic of the “creature”, why was he even going around killing random people? How were any of them able to eat if their mouths were stapled shut? And why wouldn’t they just pull the damn staples out?? And WHY was a pudgy, middle-aged man who works a sedentary job, able to beat up everyone else so easily, despite them being younger and in much better shape??? I mean in the final scene, it was two against one and the two even had a gun! Sadly, these are questions I may never know the answers to.

I also feel it pertinent to mention how incredibly unrealistic one of the end scenes was: the main character is being chased by what she now knows is the psycho killer. He is attempting to capture her so he can staple her mouth shut and imprison her forever in a storage locker. While madly running away, she stumbles into a box that has her name on it. What does she do? Did you guess: Run right past it to the nearest exit, grabbing something along the way to use as a weapon, escaping outside to her car, driving away while calling the police? If you did, then you were wrong! Instead, she stops to go through her belongings very very VERY slowly, giving the killer ample time to sneak up on her, thus enabling him to add her to his perverse assortment of prisoners.

Tangent

I know I’ve been pretty negative so far in this review, so let me try “The Sandwich” technique for this section. If you’re not familiar with what this is, I’ll explain it to you. “The Sandwich” is used when giving feedback, particularly if there’s a criticism involved. Basically, the person giving the feedback starts with a compliment, or something positive. After this comes the criticism, followed up by another bit of positivity.

For Example:

Compliment: Wow, that’s a really cute hamster at the beginning of the film.

Critique: I can’t stand any of these characters, how long does this film go on for, just be done already, I don’t think I’m gonna be able to make it through another 20 minutes of this acting, why why why did I pick this to watch…

Compliment: Well, it’s not the worst I’ve seen.

Now with that brief lesson over, back to the review.

Movie Elements

To start with a positive, there’s a really cute hamster in one of the scenes. The hamster doesn’t die and looks really happy. It’s also a bit plump, which adds to the cuteness.

Cinematography was “meh”; It wasn’t terrible but it wasn’t great. I have nothing to remark on in regards to the pacing either. Plot, however, is a different story. Let’s start with the event that sparked the main characters even going to the storage unit. Two of the characters are talking at the beginning, one is about to get married while the other is her friend.  

Allow me to just share the first sentence I wrote during my review:

“It’s been 15 minutes and I already hate all the characters.”

Poor acting, stale dialogue, and zero character development. I really don’t know what else to say about this. If the actors would have intentionally tried to be terrible, it would have almost been entertaining, but as they were taking things serious, I can’t even give the “entertainment” factor a thumbs-up.

Despite it’s flaws, I will give the movie credit for originality in regards to the plot’s premise. Did it go in a great direction? No. Did I like the ending? No. Could the idea be redone and turned into something super scary and horrific? Yes. Honestly, this movie could have been really good; the claustrophobic feeling of being stuck within the units, being chased by some humanoid creature, not sure how to escape, no cell service with the thick walls of the building- all this could easily equate to high quality horror.

Conclusion

If the previous paragraphs weren’t clear, allow me to summarize my thoughts: I did not like this movie. As mentioned earlier, it was a good idea that had potential to be a great scary movie… but it just wasn’t. Honestly, it was the details that killed it for me. I can forgive crap acting and lame dialogue, if attention is paid to the small details. This film felt like a family got together for a reunion one year and decided, “Hey, let’s make a movie!”, and slapped everything together over a four day weekend. It just didn’t feel like any passion for horror went into this at all, which leads me to our rating:

Final Scare Me Please Score: The Hamster was the Best Part of the Movie, Out of 100

Have you watched this movie? What did you think? Anything we missed? Have an idea for what we should watch next? Drop a comment below to let us know!