Tag: horror movie

Darkness Falls Review

by Finn the Brave, posted in Movies

Introduction

As a child, few movies instilled as much terror in me as “Darkness Falls.” Released in 2003 and directed by Jonathan Liebesman, this supernatural horror film preyed upon my deepest fears with its eerie atmosphere and bone-chilling premise.  The mere mention of the Tooth Fairy took on a sinister tone as “Darkness Falls” spun its tale of ancient curses and vengeful spirits. The legend of Matilda Dixon, the Tooth Fairy turned malevolent entity, haunted my nightmares long after the credits rolled. The idea that something as innocent as losing a tooth could lead to a deadly encounter with a ghostly figure lurking in the darkness sent shivers down my spine.  I remember, after watching it, I couldn’t help but be thankful I had already lost all my baby teeth.  It was this nostalgia that made me so excited to rewatch it as an adult, and as I turned out the lights and pushed play, I was really looking forward to tackling that fear.  

About an hour and a half later, I can confidently say that I not only “tackled” my childhood fear, but was able to laugh at how un-scary I found it.  Now I’d say it’s a common experience for many adults to find that rewatching horror movies doesn’t evoke the same level of fear as it did when they were younger. As we grow older, our tastes, experiences, and understanding of the world change, which can alter how we perceive and react to scary movies.  There’s many different reasons for this (I’d love to delve into this topic at length in the future), but essentially it boiled down to focusing on elements like plot holes, character development (lack there-of), cheap scares, and out-dated special effects. This analytical mindset can detract from the immersive experience of being scared and though my imagination usually does a great job at putting myself in the shoes of the characters, I just wasn’t able to see past the lame parts of this one.  

“Darkness Falls” is a horror movie that revolves around the terrifying legend of Matilda Dixon, also known as the Tooth Fairy. The story is set in the fictional town of Darkness Falls, where Matilda, a kindly old woman who gave out coins to children who lost their teeth, was wrongly accused of a crime and killed by the townsfolk, who believed she was responsible for the disappearance of two children. Just before her death, Matilda placed a curse on the town, vowing vengeance on anyone who sees her in the darkness.

Years later, the curse comes to fruition when the children of Darkness Falls begin to vanish whenever they catch a glimpse of Matilda’s ghostly figure in the shadows. The protagonist, Kyle Walsh, witnessed Matilda’s wrath as a child when she took his younger brother, Michael. Now an adult, Kyle is haunted by the trauma and the guilt of not being able to save his brother. When his childhood friend Caitlin approaches him for help after her younger brother experiences a similar ordeal, Kyle reluctantly returns to Darkness Falls to confront his past and the malevolent spirit that still lurks in the darkness.

Horror Elements

In “Darkness Falls,” the antagonist is a unique and terrifying entity known as Matilda Dixon, also known as the Tooth Fairy.  One of the main issues with Matilda Dixon as an antagonist is her lack of development and backstory. While the film hints at a tragic past and the injustices she suffered at the hands of the townsfolk, these elements are never fully explored, leaving her motivations and intentions vague and underwhelming. Without a compelling backstory or clear motivation, Matilda comes across as little more than a generic ghostly figure, lacking the depth and complexity needed to make her a truly memorable villain.

Matilda’s presence in the film feels predictable and formulaic. Her appearances are telegraphed well in advance, with little suspense or tension leading up to her jump scares. Instead of instilling genuine fear, Matilda’s attempts to terrorize the protagonists feel repetitive and uninspired, relying on cheap jump scares and loud noises to elicit a reaction from the audience.  Additionally, Matilda’s powers and abilities are never fully explained or explored, further diminishing her impact as an antagonist. While the film suggests that she has the ability to manipulate darkness and conceal her presence, these powers are never fully utilized or showcased in a meaningful way. As a result, Matilda comes across as a generic ghostly figure with little to distinguish her from other similar villains in the horror genre.

This film suffers from a notable lack of realism, which detracts from its effectiveness as a horror film and undermines the suspension of disbelief for the audience. Despite its supernatural premise, the film fails to establish a coherent internal logic or believable world-building, leading to moments that feel contrived and disconnected from reality.  An example of this is the elevator working even when the power is completely down.  Perhaps another main issue with the film’s lack of realism is its portrayal of the Tooth Fairy legend. While the concept of a vengeful spirit haunting a town is inherently fantastical, the execution in “Darkness Falls” feels forced and implausible. The idea that an entire town would be terrorized by the ghost of a woman wrongfully accused of murder strains credibility, especially given the lack of concrete evidence or explanation for Matilda Dixon’s supernatural abilities.

Furthermore, the film’s reliance on jump scares and cheap thrills undermines any sense of realism or genuine terror. Instead of building tension through atmosphere and suspense, “Darkness Falls” resorts to predictable scare tactics that feel manufactured and formulaic. The characters’ reactions to the supernatural events also feel exaggerated and melodramatic, further distancing the audience from the film’s intended emotional impact. Overall, the plot suffers from numerous inconsistencies and plot holes that further erode its realism. From characters making irrational decisions to convenient coincidences that drive the narrative forward, “Darkness Falls” often feels more like a series of contrived set pieces than a cohesive story grounded in reality. As a result, it becomes increasingly difficult for the audience to invest in the film’s events or empathize with its characters.

Movie Elements

“Darkness Falls” is marred by a significant lack of creativity, resulting in a derivative and formulaic horror experience that fails to distinguish itself from other entries in the genre. Despite its intriguing premise of a vengeful Tooth Fairy haunting a small town, the film ultimately squanders its potential with uninspired storytelling, generic scares, and predictable plot developments.  Essentially, the film relies on loud noises, jump scares, and CGI effects to elicit a reaction from the audience. Instead of building genuine suspense or crafting memorable moments of terror, “Darkness Falls” resorts to cheap thrills that lack creativity and imagination. 

Cinematography is poor at best, with the film’s editing feels disjointed and haphazard, with awkward cuts and transitions that disrupt the flow of the narrative. Scenes lack cohesion and continuity, making it difficult for the audience to become fully immersed in the story.  Within each scene, the lighting is either way too bright or way too dark and the scenes lack depth and dimension, with little attention paid to creating visually engaging or memorable shots.

Conclusion

At this point I’ve written over a thousand words on everything I disliked about the movie, so what did the movie do well?  The simple answer is, not much.  I suppose the concept of a vengeful spirit taking the form of the Tooth Fairy is unique and intriguing, offering a fresh twist on traditional horror folklore.  Also, I’d say the entire introduction of the film does a decent job showing versus telling the backstory and setting the stage for what should have been a creepy horror film.  

In conclusion, “Darkness Falls” ultimately falls short of its potential, leaving me disappointed and underwhelmed.  While the film boasts an intriguing premise and the promise of supernatural terror, its execution falters due to a failure to capitalize on its unique concept. Despite fleeting moments of suspense and the occasional jump scare, the movie fails to maintain a consistent sense of dread or deliver the genuine terror that I, as a horror enthusiast, crave. Instead, it succumbs to tired genre tropes and clichés, resulting in a forgettable, almost boring,  viewing experience that fails to leave a lasting impression. For those seeking a truly memorable horror film, “Darkness Falls” is likely to disappoint, offering little more than a toothless scare.

Final Scare Me Please Score:  How much money does the main character spend on batteries?, out of 100

Link To Official Trailer

Have you watched this movie? What did you think? Have another Tooth Fairy movie in mind for us to watch next?  Drop a comment below to let us know!

Heart Carved into tree

Love Bites: 13 Valentine’s Day Horror Movies to Satisfy Your Dark Side

by Finn the Brave, posted in Movies
Heart carved into a tree.

Valentine’s Day is traditionally associated with romance, flowers, and candlelit dinners. However, for those who prefer their celebrations with a side of fright, there’s no better way to spend the evening than with a selection of spine-tingling horror movies. While others may be exchanging chocolates and love letters, horror enthusiasts can gather round, dim the lights, and delve into a world of terrifying creatures, sinister plots, and heart-pounding scares. So, whether you’re spending the holiday with a loved one or flying solo, grab your popcorn and join us as we explore some of the most chilling horror films perfect for Valentine’s Day.

  1. My Bloody Valentine (1981)“My Bloody Valentine” is a classic slasher film released in 1981, directed by George Mihalka. The story is set in the small mining town of Valentine Bluffs, where a tragedy occurred years ago on Valentine’s Day. A mining accident resulted in the deaths of several miners due to negligence, and the sole survivor, Harry Warden, emerged from the incident traumatized and vengeful.  Years later, as the town prepares to celebrate Valentine’s Day once again, a series of gruesome murders begins to occur. The killer, dressed in mining gear and wielding a pickaxe, targets those involved in the decision to hold the celebration, warning against the festivities.  As tension mounts and paranoia spreads throughout the town, a group of young people finds themselves in the crosshairs of the vengeful killer. With the annual Valentine’s Day dance looming, they must uncover the identity of the murderer before they become the next victims.  Filled with suspense, grisly kills, and a chilling atmosphere, “My Bloody Valentine” is a beloved entry in the slasher genre, known for its memorable kills and iconic villain. The film’s setting in a small, isolated town adds to the sense of claustrophobia and dread, making it a must-watch for horror fans.
Empty coal mine.
Photo by I Love Pixel on Pexels.com
  1. My Bloody Valentine 3D (2009):  “My Bloody Valentine 3D” is a horror film released in 2009, directed by Patrick Lussier. It serves as a remake of the 1981 Canadian slasher film “My Bloody Valentine.” Set in the mining town of Harmony, the story follows a series of gruesome murders that occur on Valentine’s Day, reminiscent of a similar tragedy that struck the town twenty years earlier.  The film centers on Tom Hanniger, who returns to Harmony after a long absence to sell the local mine. However, upon his return, he finds himself haunted by memories of a mining accident that occurred years ago, resulting in the deaths of several miners. The sole survivor, Harry Warden, was driven to madness and violence, leading to a deadly rampage.  As Tom reconnects with his former flame, Sarah, and faces hostility from the townspeople, a masked killer begins targeting those involved in the mining accident. Clad in mining gear and wielding a pickaxe, the killer strikes fear into the hearts of the townspeople, leaving a trail of bloodshed in their wake.  Filled with gruesome kills, suspenseful chase sequences, and a dose of 3D gimmickry, “My Bloody Valentine 3D” offers a modern spin on the classic slasher formula. The film pays homage to its predecessor while adding new twists and turns to keep audiences on the edge of their seats. With its thrilling action and inventive kills, it delivers an entertaining and visceral horror experience for fans of the genre.
Dusty miner’s helmet laying on the ground.
  1. Valentine (2001):  “Valentine” is a horror film released in 2001, directed by Jamie Blanks and based on the novel of the same name by Tom Savage. The story follows a group of women who are stalked by a masked killer on Valentine’s Day, seeking revenge for a childhood trauma.The film opens with a flashback to a Valentine’s Day dance in 1988, where a young outcast named Jeremy Melton is humiliated and rejected by his classmates. Years later, the girls who rejected him receive threatening Valentine’s Day cards signed “JM.”  As the women reunite for Valentine’s Day years later, they find themselves being targeted by a mysterious figure wearing a Cupid mask. As the body count rises, suspicion falls on their former classmate Jeremy, who they believe may be seeking revenge for the humiliation he suffered as a child.  As the killer’s identity is slowly revealed, the remaining women must confront their pasts and fight for survival against the vengeful assailant.  “Valentine” combines elements of the slasher and whodunit genres, with a mystery surrounding the killer’s identity and motive. The film features inventive kills, suspenseful chase sequences, and a twist ending that keeps audiences guessing until the final moments. With its blend of horror and mystery, “Valentine” offers a thrilling and suspenseful Valentine’s Day-themed experience for any couple brave enough to watch.
Killer in a creepy Cupid mask.
  1. Lovers Lane (1999):  “Lovers Lane” is a horror film released in 1999, directed by Jon Steven Ward. The story centers around a small town terrorized by a killer on Valentine’s Day.  The film opens with a prologue set in the 1950s, where a young couple is brutally murdered on Lover’s Lane by a mysterious assailant. Decades later, on Valentine’s Day, a group of teenagers decides to visit the same Lover’s Lane for a romantic evening.  As the teenagers begin to pair off and explore the area, they become the targets of a masked killer seeking revenge for the murders that occurred years ago. With tensions running high and paranoia setting in, the group must band together to survive the night and uncover the identity of the killer.  “Lovers Lane” follows the classic slasher formula all while playing on themes of young love, betrayal, and revenge, with the small town setting adding to the sense of isolation and dread.
Eerie Lover’s Lane.
  1. Cherry Falls (2000):  “Cherry Falls” is a horror film released in 2000, directed by Geoffrey Wright. The story takes place in the small town of Cherry Falls, where a series of gruesome murders begin to occur among the teenage population.  The film opens with the murder of a high school student, Jody Marken, who is found brutally killed in her home. As the town reels from the shock of the murder, it becomes apparent that Jody was not the first victim of the killer.  Investigating the murders is Jody’s father, Sheriff Brent Marken, who discovers a disturbing pattern: all of the victims are virgins. Determined to catch the killer before they strike again, Sheriff Marken launches a desperate investigation into the town’s dark secrets.  As the body count rises and panic grips the town, the teenagers of Cherry Falls take matters into their own hands, organizing a plan to lose their virginity en masse in an attempt to thwart the killer’s twisted motives.  “Cherry Falls” is a unique take on the slasher genre, subverting traditional tropes and adding a satirical edge to the proceedings. With its blend of horror, mystery, and dark humor, the film offers a fresh and engaging twist on the genre, making it a memorable entry in the world of horror cinema.
Guy leaning against his car inside a crime scene.
Photo by cottonbro studio on Pexels.com
  1. Cupid (2020):  “Cupid” is a horror film released in 2020, directed by Scott Jeffrey and Aaron Mirtes. The story revolves around a modern-day Cupid who embarks on a deadly rampage targeting those who have lost faith in love.  The film follows a group of friends who gather for a Valentine’s Day party, unaware that they have become the targets of a vengeful entity. As the night unfolds, they are stalked by a mysterious figure clad in a Cupid costume, armed with a crossbow and deadly arrows.  As the body count rises and the friends struggle to survive, they must confront their own doubts and insecurities about love while facing the terrifying reality of a supernatural force bent on destruction.  “Cupid” blends elements of slasher horror with supernatural mythology, offering a fresh and inventive take on the Valentine’s Day horror genre.
Sinister looking Cupid statue.
  1. Love Object (2003):  “Love Object” is a psychological horror film released in 2003, directed by Robert Parigi. The story follows a lonely and socially awkward technical writer named Kenneth who becomes infatuated with a lifelike sex doll named Nikki.  As Kenneth’s obsession with Nikki grows, he begins to project his desires and fantasies onto the doll, treating it as a real person. He becomes increasingly isolated from the outside world, focusing all of his attention and affection on Nikki.  However, Kenneth’s fantasy begins to unravel when he meets Lisa, a real woman who shows genuine interest in him. As Kenneth struggles to reconcile his feelings for Nikki with his budding relationship with Lisa, his grip on reality begins to slip, leading to a series of disturbing and violent events.  “Love Object” explores themes of obsession, loneliness, and the blurred lines between fantasy and reality. With its unsettling atmosphere and psychological tension, the film offers a thought-provoking and disturbing exploration of one man’s descent into madness.
Life sized adult doll.
  1. The Loved Ones (2009):  “The Loved Ones” is a horror film released in 2009, directed by Sean Byrne. The story follows a troubled teenager named Brent, who becomes the target of a deranged girl named Lola Stone and her equally twisted father.  The film begins with Brent dealing with the aftermath of a tragic car accident that claimed the life of his father. Wracked with guilt and grief, Brent struggles to cope with his emotions and finds solace in his girlfriend, Holly.  However, Brent’s life takes a horrifying turn when he rejects Lola Stone’s invitation to the school dance. Enraged by his rejection, Lola and her father kidnap Brent on Valentine’s Day and subject him to a nightmarish ordeal of torture and abuse.  As Brent fights for survival, Holly embarks on a desperate search to rescue him from the clutches of the sadistic father-daughter duo.  “The Loved Ones” is a disturbing and intense film that explores themes of obsession, trauma, and the dark side of human nature. 
Chains hanging in a basement.
  1. Bride of Chucky (1998):  “Bride of Chucky” is a horror-comedy film released in 1998, directed by Ronny Yu. It is the fourth installment in the “Child’s Play” film series. The story follows the infamous killer doll Chucky, who is resurrected by his former girlfriend Tiffany after she finds his dismembered remains.  Upon his resurrection, Chucky murders Tiffany and transfers her soul into a female doll, creating a partner in crime. The two homicidal dolls embark on a cross-country journey to retrieve an amulet that can transfer their souls into human bodies.  As they leave a trail of mayhem and destruction in their wake, Chucky and Tiffany encounter a young couple, Jesse and Jade, who unwittingly become entangled in their deadly scheme. With Chucky and Tiffany’s murderous intentions escalating, Jesse and Jade must fight for their lives and stop the deranged dolls before it’s too late.  “Bride of Chucky” blends horror and comedy, delivering a mix of gory kills and dark humor. With its campy tone and self-aware references, the film offers a fun and entertaining addition to the “Child’s Play” series, while also introducing Tiffany as a memorable addition to Chucky’s murderous antics.
The bride of Chucky.
  1. Warm Bodies (2013):  “Warm Bodies” is a romantic horror-comedy film released in 2013, directed by Jonathan Levine and based on the novel of the same name by Isaac Marion. The story is set in a post-apocalyptic world overrun by zombies and follows a young zombie named R who forms an unexpected connection with a living girl named Julie.  R is a zombie who, despite his undead state, retains some shreds of humanity, including thoughts and emotions. When he encounters Julie during a scavenging mission, he is inexplicably drawn to her and saves her from an attack by other zombies.  As R and Julie spend more time together, their relationship begins to transform both of them. R starts to regain his humanity, while Julie learns to see zombies in a new light. However, their budding romance faces challenges from both the living and the undead, including Julie’s protective father and a group of hostile zombies led by the sinister Boneys.  As tensions escalate between the living and the undead, R and Julie must unite their fractured worlds and confront the true source of the zombie apocalypse.  “Warm Bodies” blends elements of romance, comedy, and horror to create a unique and heartwarming story about love transcending boundaries. With its clever premise, likable characters, and witty humor, the film offers a fresh take on the zombie genre while delivering a poignant message about empathy, acceptance, and the power of human connection.
Zombie couple
Photo by Heber Vazquez on Pexels.com
  1. The Shape of Water (2017):  “The Shape of Water” is a fantasy romance film released in 2017, directed by Guillermo del Toro. Set in Cold War-era America during the 1960s, the story follows Elisa, a mute janitor working at a high-security government laboratory.  Elisa’s life takes an unexpected turn when she discovers a mysterious amphibious creature being held captive in the laboratory. Despite the creature’s terrifying appearance, Elisa forms a deep and meaningful connection with it, communicating through sign language and developing a bond based on empathy and understanding.  As Elisa learns more about the creature’s origins and the cruel experiments being conducted on it, she becomes determined to rescue it from captivity. With the help of her friends and allies, including her co-worker Zelda and her neighbor Giles, Elisa embarks on a daring mission to set the creature free and protect it from those who seek to exploit and harm it.  “The Shape of Water” is a visually stunning and emotionally resonant film that explores themes of love, acceptance, and the power of empathy. With its enchanting blend of fantasy, romance, and social commentary, the film offers a captivating and thought-provoking cinematic experience that celebrates the beauty of diversity and the triumph of the human spirit.
Sinister science lab.
  1.  Spring (2014):  “Spring” is a romantic horror film released in 2014, directed by Justin Benson and Aaron Moorhead. The story follows Evan, a young man who, after experiencing personal tragedy, decides to travel to Italy to escape his troubles.  In Italy, Evan meets Louise, a beautiful and mysterious woman with whom he forms a deep and immediate connection. As their romance blossoms, Evan discovers that Louise harbors a dark and otherworldly secret: she is a centuries-old creature capable of shape-shifting and regeneration.  Despite the shocking revelation, Evan is drawn even closer to Louise, fascinated by her enigmatic nature and the possibility of a love that transcends time and space. However, as Louise’s true nature is revealed and their relationship is put to the test, Evan must confront the moral and existential implications of loving someone who is fundamentally different from himself.  “Spring” is a genre-bending film that seamlessly blends elements of romance, horror, and fantasy. With its stunning cinematography, evocative setting, and thought-provoking themes, the film offers a fresh and unconventional take on the traditional love story, exploring the complexities of relationships and the mysteries of the human heart.
Young man falling in love with a shape shifting creature.
  1.  “The Hospital” (2013):  “The Hospital” is a horror film released in 2013, directed by Tommy Golden and Daniel Emery Taylor. The story follows a group of medical students who decide to spend Valentine’s Day at an abandoned hospital for a night of exploration and adventure.  As they begin to explore the hospital’s dark corridors and hidden rooms, they soon realize that they are not alone. The hospital is haunted by malevolent spirits and a sinister presence that preys on their deepest fears.  As the students struggle to survive the night and escape the hospital’s clutches, they uncover disturbing secrets and face terrifying encounters with the supernatural. As tensions rise and paranoia sets in, they must confront their own demons and unravel the mystery of the hospital’s dark past before it’s too late.
Heart balloons inside hospital hallway.

In conclusion, Valentine’s Day horror movies offer a unique and twisted take on the holiday of love. From deranged killers stalking lovers to supernatural entities wreaking havoc on unsuspecting victims, these films explore the darker side of romance and relationships. Whether you’re in the mood for classic slasher thrills, supernatural chills, or psychological twists, there’s something for every horror fan to enjoy. So, this Valentine’s Day, why not dim the lights, grab some popcorn, and indulge in a marathon of these 13 spine-tingling and blood-curdling films that are sure to make your heart race in more ways than one.

Hell House LLC Review

by Finn the Brave, posted in Movies

Introduction

“Hell House LLC” is a found-footage, supernatural horror film directed by Stephen Cognetti. The film opens with documentary-style interviews interspersed with footage from a news report detailing the tragic events that occurred at the Abaddon Hotel during the opening night of a haunted house attraction called Hell House. The news report reveals that 15 people died in a mysterious fire at the hotel, with only one survivor, Sara Havel, remaining unaccounted for.

Following the news report, the film transitions to footage shot by a documentary crew investigating the events leading up to the tragedy. The crew interviews Sara’s friends and former employees of the haunted house attraction to uncover the truth behind what happened on that fateful night. Through their interviews and the found footage they uncover, viewers are gradually introduced to the eerie atmosphere of the Abaddon Hotel, the strange occurrences experienced by the Hell House LLC crew during their preparations for opening night, and the mounting sense of dread that ultimately leads to the hotel’s horrifying climax.

The various footage used at the beginning looks so realistic that it immediately creates believability.  I actually had to pause the movie on my first watch-through to double check I’d picked a real horror film and not accidentally selected a real documentary by mistake.  As the documentary crew delves deeper into the mystery, they begin to unravel the dark secrets hidden within the walls of the Abaddon Hotel, setting the stage for a terrifying journey into the heart of darkness. The introduction sets the stage for the chilling events that unfold throughout the rest of the film, laying the groundwork for a gripping and suspenseful horror experience.

Horror Elements

In “Hell House LLC,” the antagonist is the malevolent entity or entities haunting the Abaddon Hotel. While the film does not explicitly reveal the origin or nature of the antagonist, it is heavily implied that the hotel itself is possessed by dark forces that seek to terrorize and harm those who enter its halls.  The primary antagonist of the film is the Abaddon Hotel, a decrepit and haunted building where the Hell House attraction is set up. The hotel serves as the central location of the film’s events and is depicted as a malevolent entity in its own right. The history of the hotel, including its mysterious past and the tragic events that occurred within its walls, contributes to its sinister reputation.  Throughout the film, the characters experience unexplained phenomena and encounters with supernatural entities within the hotel. These manifestations include ghostly apparitions, sinister whispers, and inexplicable disturbances that suggest a malevolent presence lurking within the building. The exact nature of these forces remains ambiguous, adding to the sense of terror and mystery surrounding the antagonist.  

In addition to this, the antagonist exerts a manipulative influence over the characters, luring them deeper into its grasp as they attempt to uncover the truth behind the hotel’s haunting. The hotel’s dark influence drives the characters to madness and paranoia, leading to increasingly dire consequences as they struggle to escape its clutches.  In addition to physical threats, the antagonist in “Hell House LLC” inflicts psychological terror on the characters, exploiting their fears and vulnerabilities to torment them. The hotel’s haunted history and malevolent presence prey on the characters’ psyches, heightening the sense of dread and hopelessness as they confront their worst nightmares.  

Realism is present throughout the film, especially in regards to the different main characters and their interactions with one another and the environment.  Alex is the owner of the haunted attraction company, Hell House LLC. He’s portrayed as a pragmatic businessman, driven by his passion for creating immersive and terrifying experiences for his audience. His background and motivations are relatable, as he’s depicted as someone who is ambitious and dedicated to his work.  Throughout the film, Alex exhibits a practical and level-headed approach to running his business. He’s depicted as someone who takes his responsibilities seriously, ensuring that the production of Hell House LLC runs smoothly and efficiently. His decision-making process and problem-solving skills reflect those of a real-world business owner, adding authenticity to his character.  Despite his professionalism, Alex also grapples with personal struggles and conflicts. As the haunting at the Abaddon Hotel intensifies, Alex must confront his own fears and doubts about the safety of his crew and the integrity of his business. His internal conflicts add depth to his character and make him more relatable to the audience.

Movie Elements

While found-footage horror films were already popular by the time “Hell House LLC” was released, the film puts a unique spin on the genre by framing the story as a documentary investigating the events leading up to the tragedy at the Abaddon Hotel. This approach adds depth to the narrative by incorporating interviews with survivors and witnesses, as well as footage captured by the characters themselves, creating a sense of authenticity and immersion.  While haunted house attractions are a common theme in horror movies, “Hell House LLC” explores this concept in a fresh and innovative way by setting the story within an actual haunted hotel. The Abaddon Hotel serves as a chilling backdrop for the film’s events, with its dark history and malevolent presence adding layers of mystery and suspense to the narrative.  

Rather than relying solely on jump scares and graphic violence, “Hell House LLC” builds tension and suspense through a gradual escalation of horror. The film employs subtle atmospheric cues, eerie visuals, and psychological terror to unsettle viewers, creating a sense of dread that intensifies as the story unfolds.  “Hell House LLC” keeps audiences engaged by weaving a compelling mystery throughout the narrative. Viewers are drawn into the investigation as the documentary crew uncovers clues and revelations about the true nature of the haunting at the Abaddon Hotel, leading to a series of shocking twists and revelations that keep them guessing until the very end.  Instead of relying heavily on CGI, “Hell House LLC” utilizes practical effects and clever cinematography to create its scares. The film employs subtle visual cues, practical makeup effects, and clever camera tricks to evoke a sense of unease and terror, resulting in a more visceral and immersive viewing experience.

Much of the cinematography in “Hell House LLC” consists of handheld camera work, simulating the amateur documentary style. This technique enhances the sense of realism and urgency, as the camera captures the chaos and terror unfolding within the haunted attraction.  In addition to handheld footage, the film also incorporates static shots and surveillance footage to create a sense of surveillance and voyeurism. These shots add to the atmosphere of unease and tension, as viewers are presented with eerie glimpses of the supernatural activity occurring within the hotel.  The cinematography in “Hell House LLC” often relies on natural lighting sources within the haunted attraction, such as dimly lit hallways, flickering candles, and ominous shadows. This use of natural lighting enhances the atmosphere of the film, creating a sense of darkness and claustrophobia that contributes to the overall sense of dread.

While the film features mostly unknown actors, their performances contribute to the overall sense of realism and immersion in the found footage format.The actors in “Hell House LLC” deliver their lines in a naturalistic manner, which adds authenticity to their performances. This style of acting enhances the believability of the found footage format, as viewers feel like they are watching real people reacting to terrifying events.  The actors demonstrate a wide emotional range throughout the film, from excitement and enthusiasm during the setup of the haunted house attraction to fear and panic as the supernatural occurrences escalate. Their ability to convey genuine emotion enhances the audience’s investment in the characters and their plight.  The chemistry between the cast members helps to establish a sense of camaraderie and camaraderie among the characters. This camaraderie is crucial in building tension and suspense, as viewers become invested in the relationships between the characters and their fates.  The actors’ reaction shots are particularly effective in selling the horror and terror of the situation. Their expressions of fear, shock, and disbelief help to heighten the tension and suspense, drawing viewers deeper into the terrifying world of the Abaddon Hotel.

Conclusion

In conclusion, “Hell House LLC” is a chilling found footage horror film that effectively utilizes its format to immerse viewers in a terrifying and suspenseful narrative. Set in the eerie confines of the Abaddon Hotel, the movie follows a documentary crew as they investigate the tragic events surrounding a haunted house attraction gone awry.  The film does a great job with its authentic performances, naturalistic delivery, and genuine scares. Overall, “Hell House LLC” delivers a haunting and immersive experience that lingers long after the credits roll, making it a must-watch for fans of atmospheric horror and supernatural thrills.

Final Scare Me Please Score:  “This clown head can’t turn but it did”, out of 100

Link To Official Trailer

Have you watched this movie? What did you think? Anything we missed? Have an idea for what we should watch next? Drop a comment below to let us know!

The Autopsy of Jane Doe Review

by Finn the Brave, posted in Movies

A Top 13 for Scare Me Please!

Introduction

In the realm of horror cinema, few films have managed to captivate audiences with the same chilling intensity as “The Autopsy of Jane Doe”.  Directed by André Øvreda, this masterfully crafted tale takes viewers on a harrowing journey into the macabre world of forensic pathology, where every incision reveals not only the secrets of the dead but also the horrors that lie beyond the veil of death itself.  At the heart of the movie lies its titular character, an unidentified corpse discovered at a gruesome crime scene.  As father-son coroners Tommy and Austin Tilden meticulously dissect Jane Doe’s body, they unwittingly unravel a sinister mystery that defies rational explanation.  What begins as a routine autopsy soon descends into a nightmare of supernatural terror, as the Tildens confront malevolent forces that challenge their understanding of life, death, and the afterlife.  Through a series of eerie revelations and bone-chilling encounters, the film plunges viewers into a realm where the line between the living and the dead blurs into an abyss of dread and despair.

Horror Elements

Jane Doe’s identity and the cause of her death are unknown throughout the film. This mysterious element creates a sense of dread and uncertainty, as the characters, and the audience, are left grappling with the inexplicable.  As the autopsy progresses, the examination of Jane Doe’s body reveals increasingly bizarre and supernatural phenomena. These phenomena, such as inexplicable injuries, internal anomalies, and signs of torture, serve as the primary source of horror and tension in the film.   Jane Doe’s body seems to possess a malevolent intelligence, as it manipulates the environment of the morgue and the characters conducting the autopsy. This manipulation leads to escalating chaos and terror as the night unfolds.  

The film’s musical score is used sparingly but effectively to underscore key moments of tension or horror. It builds gradually, intensifying the atmosphere and signaling impending danger.  Faint whispers and murmurs occasionally punctuate the silence, suggesting unseen entities or unsettling the characters as they delve deeper into Jane Doe’s mysteries.  Jump scares are accentuated by sudden, jarring noises, such as a loud bang or a piercing scream. These moments startle both the characters and the audience, heightening the film’s tension.  As the supernatural events escalate, sounds become distorted or warped, creating an unsettling auditory experience. This distortion contributes to the sense of disorientation and fear experienced by the characters.  The radio in the morgue intermittently broadcasts news reports or music, adding to the sense of isolation and claustrophobia. These broadcasts often serve as a stark contrast to the eerie events unfolding in the morgue.  I especially like how the news reporter, while the tension builds within the scene, makes the comment, “One thing’s for sure, you’re not going anywhere”, almost as if the reporter is yet another manipulation of the Jane Doe corpse (which we find out at the very end, it is). 

Central to the film’s unnerving impact is its meticulously crafted atmosphere of dread. Set primarily within the claustrophobic confines of Tildens’ mortuary, the film creates a sense of isolation and confinement that intensifies the psychological tension. Every creak of the floorboards, every flicker of the lights, and every shadowy corner becomes a harbinger of impending terror, heightening the audience’s sense of unease with each passing moment. Through its deft use of lighting, sound design, and cinematography, “The Autopsy of Jane Doe” envelops viewers in a suffocating blanket of fear, trapping them in a nightmarish labyrinth from which there is no escape.

One of the best parts of this movie was the realistic dialogue, actions, and science behind each scene.  Maybe I’m biased having majored in sport and nutritional sciences, but the anatomical horrors during the autopsy really got to me.  For example, seeing the clouding of the eyes after knowing the time of death terrified me beyond belief, even before the character’s explanation.  The alarm bells in my head kept screaming “That shouldn’t be happening!”.  I also loved how realistic the progression of the character’s fear and actions were.  At first, when the son starts to get spooked, suggesting they just leave and finish the autopsy in the morning, the father completely goes into “Dad Mode” telling his son, “When we start something, we finish it”.  As the events of the evening turn from creepy to flat-out supernatural horror, the dad instead says something to the effect of “let’s get the eff out of here”.  I loved this as it’s totally how I’d envision the scene progression going down.  

Movie Elements

Jane Doe represents more than just a deceased body; she symbolizes the mysteries and horrors of death itself. Through her, the film explores themes of mortality, the unknown, and the consequences of meddling with forces beyond human comprehension.

Anchoring the film’s visceral impact are the performances of Brian Cox and Emile Hirsch, who deliver haunting portrayals of the father-son coroner duo.  Cox brings a world-weary gravitas to the role of Tommy Tilden, a seasoned professional whose belief in the scientific method is shaken to its core by the horrors he encounters.  Opposite him, Hirsch imbues Austin Tilden with raw vulnerability, embodying the desperation of a son grappling with forces beyond his comprehension.  Together, their performances elevate the film beyond mere genre fare, imbuing it with a sense of emotional resonance that lingers long after the credits roll.  

The film begins with a slow and methodical introduction, establishing the setting of the small-town morgue and introducing the main characters, father and son coroners Tommy and Austin Tilden. This initial setup allows viewers to become acquainted with the environment and the protagonists before the supernatural elements are introduced.  As Tommy and Austin begin the autopsy of Jane Doe, the pacing remains measured as they methodically examine her body. Clues and hints about Jane Doe’s mysterious background are gradually revealed, keeping the audience engaged and intrigued as they try to unravel the mystery alongside the characters.  As the autopsy progresses, strange and inexplicable phenomena begin to occur within the morgue, signaling the escalation of supernatural forces at play. The pacing starts to quicken as these events become more frequent and intense, ratcheting up the tension and suspense.  

Midpoint of the film marks a significant shift in pacing, as the supernatural occurrences intensify and the characters find themselves increasingly threatened by unknown forces. The pacing becomes more frenetic during moments of terror and danger, keeping viewers on the edge of their seats.  The film employs well-timed cliffhangers and reveals to maintain momentum and keep the audience engaged. As the mystery surrounding Jane Doe deepens, the pacing becomes more dynamic, with moments of quiet tension punctuated by bursts of intense horror and revelation.  The film’s climax delivers a satisfying resolution to the mystery of Jane Doe while ramping up the tension to its peak. The pacing becomes relentless as Tommy and Austin confront the malevolent forces within the morgue, leading to a final showdown that provides catharsis for the characters and the audience alike.

Utilized within the film is tight framing and narrow compositions to emphasize the cramped and claustrophobic nature of the morgue setting. Close-up shots of the characters and the autopsy table convey a sense of confinement, amplifying the feeling of isolation and vulnerability.  The film utilizes subjective camera angles to convey the characters’ perspectives and heighten tension during moments of terror. Low-angle shots looking up from the autopsy table or high-angle shots looking down on the characters create a sense of vulnerability and unease.  The morgue is predominantly lit with dim, harsh lighting, casting deep shadows and obscuring details. This low-key lighting scheme creates an ominous atmosphere and adds to the sense of mystery and unease surrounding Jane Doe’s body.  

One of the main reasons this movie gets a spot on our “Top 13” list is for its originality; I’ve never watched a horror film quite like it.  The entertainment factor is also up there as I’ve no joke, probably watched the movie over close to 20 times.  More importantly, I have been scared by this movie each and every viewing despite knowing exactly how the film will play out.  Considering how many horror movies are out there, it’s really got to be something special for me to want to rewatch it that many times.    

Conclusion

In “The Autopsy of Jane Doe,” André Øvredal has crafted a modern horror masterpiece that transcends the conventions of the genre. Through its chilling narrative, atmospheric setting, and powerhouse performances, the film offers a profound meditation on mortality, terror, and the fragility of human existence. As viewers are drawn deeper into the mysteries of the Tildens’ mortuary, they confront not only the horrors lurking within its walls but also the dark recesses of their own fears and uncertainties. In the end, “The Autopsy of Jane Doe” stands as a testament to the enduring power of horror cinema to probe the darkest corners of the human psyche and leave audiences forever changed.

Final Scare Me Please Score:  “One thing’s for sure, you’re not going anywhere”, out of 100

Link To Official Trailer

Have you watched this movie? What did you think? Does it deserve a spot in our Top 13 scariest movies list?  Have an idea for what we should watch next? Drop a comment below to let us know!

Marrowbone

by Finn the Brave, posted in Movies

Introduction

“Marrowbone” is a 2017 horror film directed by Sergio G. Sánchez, (he also was a screenwriter for another great horror film “The Orphanage” which I fully plan on reviewing here as well).  Essentially, the movie tells the story of a family who flees to a remote house in rural America to escape a dark past. However, sinister forces begin to unravel their fragile peace as they struggle to keep their secrets buried. The film weaves a tale of psychological horror, family bonds, and supernatural elements that keep the audience on edge throughout its entirety.

Horror Elements

The antagonist in “Marrowbone” is a malevolent force that threatens the fragile stability of the family at the center of the story. This character embodies various forms throughout the film, from external threats to internal conflicts and hidden secrets. Without a clear-cut villain in the traditional sense, the antagonist in “Marrowbone” manifests as a sinister presence lurking in the shadows, manipulating events from afar.  The film crafts a narrative where the true nature of the antagonist remains shrouded in mystery, leading to a sense of unease and paranoia among the characters and the audience alike. This ambiguity allows for multiple interpretations and keeps viewers guessing until the final revelation. 

Adding to the horror, the film’s musical score plays a significant role in building suspense and accentuating key moments of horror. Composer Fernando Velázquez crafts a haunting and atmospheric soundtrack that heightens the emotional impact of the story. Swelling strings, dissonant chords, and ominous melodies underscore moments of danger and uncertainty, intensifying the overall sense of dread.  Equally as scary, was the lack of sound.  Silence is inserted at just the right moments to magnify the feel of dread within the scene.

As the plot plays out, it’s quite clear just how much thought went into developing the backstory of the characters, both the good and the bad.  This influence permeates every aspect of the film, driving the family to desperate measures to protect themselves and their secrets. Whether it’s through subtle psychological manipulation or more overt acts of violence, the antagonist’s presence and mysterious backstory looms large, casting a shadow over the family’s attempts at redemption and reconciliation.  

What makes this particularly effective is its connection to the protagonists’ past traumas and buried secrets.  As the layers of the narrative are peeled back, the true extent of the antagonist’s influence becomes increasingly apparent, leading to a chilling climax that forces the characters to confront their darkest fears on screen.  

Movie Elements

One of the strengths of “Marrowbone” lies in its atmospheric tension and mood. Sergio G. Sánchez creates a palpable sense of dread, utilizing the isolated setting of the family’s dilapidated mansion to great effect. The cinematography enhances the eerie atmosphere, with dimly lit interiors and sprawling, misty landscapes adding to the sense of foreboding.  Throughout the movie, subtle ambient sounds are employed to create a sense of unease and tension. This might include the distant howling of wind, creaking floorboards, or the faint rustling of leaves outside the mansion. These sounds serve to establish the isolated and foreboding atmosphere of the setting.

The performances in “Marrowbone” are another highlight. The young cast delivers compelling and nuanced portrayals, particularly George MacKay as the protective eldest brother Jack and Anya Taylor-Joy as the mysterious local girl who befriends the family. Their chemistry adds depth to the characters and helps to anchor the emotional core of the film.  The relationships between the characters in “Marrowbone” are central to the film’s originality. These dynamics within the family unit are intricate and multifaceted, with each member struggling with their own inner demons and conflicts. The bond between the siblings, particularly the protective nature of the eldest brother Jack, adds depth to the narrative and distinguishes it from more traditional horror fare.

Furthermore, “Marrowbone” is bolstered by its intricate narrative structure and well-paced storytelling. The film employs a non-linear narrative structure, which adds layers of complexity and intrigue to the storytelling. Rather than presenting events in a straightforward manner, the film jumps back and forth in time, gradually unveiling the family’s troubled past and the secrets they harbor. This approach keeps the audience engaged and guessing, as they piece together the puzzle of the characters’ lives.  Though it’s certainly not the only film to ever utilize this style of plot progression, it was well-done and certainly told an interesting story in a unique way.  

Conclusion

As I prefer to do with all the movies I review, I watched it three times before writing this.  Though the fears and anxiety were only present during the first watch through, the movie was still quite enjoyable during the second and third viewings. Something I feel the need to mention here, is out of all the plot twists within horror movies I’ve watch, this is one of the few that actually gave me a strong physiological response:  nausea.  It was such an upsetting shock, I actually felt sick from it which is exactly what a good twist should do.  Maybe not the sick part, but extreme shock for sure.  Overall, “Marrowbone” is a captivating and atmospheric horror film that effectively blends psychological tension with supernatural elements. While it may not offer action-packed violence and gore, its strong performances, eerie atmosphere, and compelling storytelling make it a worthwhile watch for fans of the genre.  

Final Scare Me Please:  How could you ever live in that house after that trauma, out of 100

Marrowbone Official Trailer

Have you watched this movie? Did you figure out the plot before the great end-reveal?  Suggestions for what we should watch next? Drop a comment below to let us know!

The 9 Horror Movie Subgenres

by Finn the Brave, posted in Movies, Uncategorized

Gothic Horror

Gothic horror, with its rich tapestry of atmospheric settings, supernatural elements, and psychological depth, stands as one of the most enduring and captivating subgenres of horror cinema. Rooted in the Gothic literature of the 18th and 19th centuries, these films evoke a sense of foreboding and unease, drawing viewers into worlds where darkness reigns and the boundaries between the natural and the supernatural blur. From haunted mansions to isolated castles, from tormented protagonists to vengeful spirits, Gothic horror movies offer a mesmerizing glimpse into the macabre and the uncanny.

Central to the Gothic horror subgenre is its evocative use of atmospheric settings to establish a sense of dread and suspense. Whether it’s a crumbling mansion shrouded in mist, a desolate moor haunted by spectral apparitions, or a labyrinthine castle echoing with the whispers of the past, these films transport viewers to eerie landscapes where every shadow hides a sinister secret. Through careful attention to detail in set design, lighting, and cinematography, Gothic horror movies create immersive worlds that serve as both a backdrop and a character in their own right, heightening the sense of unease and uncertainty that permeates the narrative.

Another hallmark of Gothic horror is its embrace of the supernatural, weaving tales of ghosts, demons, and otherworldly entities that defy rational explanation. Whether it’s a vengeful specter seeking retribution for past wrongs, a cursed artifact unleashing unspeakable horrors, or a malevolent force lurking in the shadows, these films delve into the realms of the unseen and the unknown with chilling effectiveness. Through subtle hints, eerie apparitions, and heart-stopping scares, Gothic horror movies blur the line between reality and the supernatural, leaving viewers questioning what lies beyond the veil of the ordinary.

Beyond its atmospheric settings and supernatural elements, Gothic horror also explores the depths of the human psyche, delving into themes of madness, obsession, and forbidden desires. From tormented protagonists grappling with inner demons to sinister villains driven by dark impulses, these films probe the darker recesses of the human condition with unsettling precision. Through complex characters, intricate plot twists, and psychological tension, Gothic horror movies offer a nuanced exploration of fear and anxiety, tapping into universal anxieties and primal fears that resonate with audiences on a deeply visceral level.

Supernatural Horror

Supernatural horror, with its chilling tales of ghosts, demons, and otherworldly entities, occupies a special place in the pantheon of horror cinema. Rooted in ancient folklore and modern fears, these films transport viewers into realms where the natural laws of the universe are twisted and the boundaries between the living and the dead blur into darkness. From haunted houses to cursed artifacts, from possessed individuals to ancient rituals, supernatural horror movies offer a spine-tingling exploration of the unknown and the inexplicable.

At the heart of supernatural horror lies its terrifying array of entities, ranging from vengeful spirits and malevolent demons to eldritch beings from beyond the stars. These films introduce viewers to a menagerie of creatures that defy comprehension, their motives often shrouded in mystery and their powers capable of bending reality itself. Whether it’s a ghostly apparition haunting a lonely mansion, a demonic force possessing an innocent soul, or an extraterrestrial entity stalking its prey, supernatural horror movies tap into primal fears and primal fears and unleash nightmares that linger long after the credits roll.

Another hallmark of supernatural horror is its exploration of cursed locations and objects imbued with malevolent forces. From ancient burial grounds to abandoned asylums, from cursed paintings to possessed dolls, these films delve into the darker aspects of history and folklore, uncovering secrets that should have remained buried. Whether it’s a cursed house that drives its occupants to madness or a cursed artifact that brings death and destruction to all who possess it, supernatural horror movies transform everyday objects and locations into vessels of terror, turning the familiar into the unknown and the ordinary into the extraordinary.

Beyond its terrifying entities and cursed artifacts, supernatural horror also explores the depths of the human psyche, delving into themes of madness, paranoia, and existential dread. From protagonists grappling with their own sanity to ordinary individuals thrust into extraordinary circumstances, these films blur the line between reality and nightmare, challenging viewers to confront their deepest fears and darkest desires. Through intricate plot twists, mind-bending visuals, and heart-stopping scares, supernatural horror movies offer a chilling glimpse into the abyss of the human soul, where fear reigns supreme and the unknown lurks just beyond the threshold.

Monster Horror

Monster horror cinema, with its iconic creatures and visceral thrills, occupies a unique and enduring place in the realm of horror. From ancient myths to modern nightmares, these films tap into primal fears and unleash monstrous entities that stalk the shadows, terrorizing both protagonists and audiences alike. Whether it’s a towering kaiju rampaging through a cityscape, a bloodthirsty werewolf prowling the forest, or a slithering creature lurking in the depths of the ocean, monster horror movies offer a heart-pounding exploration of the monstrous and the macabre.

At the heart of monster horror lies its iconic creatures, each one a terrifying embodiment of primal fears and human anxieties. From classic monsters like vampires, werewolves, and zombies to modern creations like giant mutants and extraterrestrial invaders, these films introduce viewers to a menagerie of creatures that defy comprehension. Whether they’re supernatural entities driven by insatiable hunger or genetically engineered abominations unleashed by human folly, monster horror movies tap into our deepest fears and unleash nightmares that linger long after the credits roll.

Another hallmark of monster horror is its exploration of terrifying environments where these creatures thrive and unleash their havoc. Whether it’s a remote cabin in the woods, a deserted island shrouded in mist, or a bustling metropolis transformed into a battleground, these films transport viewers into landscapes where danger lurks around every corner. Through intricate set design, atmospheric lighting, and immersive sound design, monster horror movies create immersive worlds that serve as both a backdrop and a character in their own right, heightening the sense of terror and uncertainty that permeates the narrative.

Beyond its terrifying creatures and ominous environments, monster horror also explores themes of survival, confrontation, and the human capacity for resilience. From protagonists struggling to escape the clutches of a relentless predator to brave individuals standing up to monstrous threats, these films delve into the primal instincts and moral dilemmas that arise in the face of unimaginable terror. Whether it’s a lone survivor battling against impossible odds or a group of unlikely heroes banding together to defeat a common foe, monster horror movies offer a gripping exploration of courage, sacrifice, and the indomitable human spirit.

Psychological Horror

Psychological horror cinema, with its spine-chilling tales of psychological torment and existential dread, occupies a unique and unsettling place in the realm of horror. Rooted in the darkest recesses of the human psyche, these films delve into the depths of madness, paranoia, and obsession, offering a haunting exploration of the mind’s most terrifying depths. From unreliable narrators to fractured realities, from unseen terrors to psychological unraveling, psychological horror movies captivate audiences with their intricate, albeit, convoluted narratives.

Central to psychological horror is its use of unreliable narratives that blur the line between reality and illusion. Whether it’s a protagonist grappling with delusions and hallucinations or a story told from multiple perspectives, these films challenge viewers to question the nature of truth and perception. Through subtle hints, narrative twists, and mind-bending plot devices, psychological horror movies create a sense of unease and uncertainty that lingers long after the credits roll, leaving audiences questioning their own sanity.

Another hallmark of psychological horror is its exploration of existential dread and the fundamental uncertainties of existence. From protagonists confronting their own mortality to individuals grappling with the nature of reality itself, these films delve into themes of alienation, isolation, and the fragility of human existence. Whether it’s a descent into madness triggered by external forces or an internal struggle against the darkest impulses of the mind, psychological horror movies offer a chilling glimpse into the abyss of the human soul, where fear reigns supreme and the line between sanity and madness blurs into darkness.

Beyond its unreliable narratives and existential themes, psychological horror also excels at creating subtle and insidious forms of terror that seep into the subconscious. Whether it’s a sense of creeping dread that builds slowly over time or a series of unnerving moments that unsettle the audience’s expectations, these films eschew jump scares and gore in favor of psychological tension and atmospheric unease. Through masterful use of sound design, cinematography, and performance, psychological horror movies immerse viewers in a world where every shadow hides a hidden truth and every sound sends shivers down the spine.

Splatter Horror

Splatter horror cinema, with its over-the-top violence, gruesome special effects, and gleeful embrace of gore, occupies a visceral and extreme corner of the horror genre. Rooted in the shock and rebellion of the 1970s and 1980s, these films push the boundaries of good taste and societal norms, offering audiences a cathartic release from the constraints of polite society. From chainsaw-wielding maniacs to flesh-eating zombies, from brutal torture scenes to elaborate death traps, splatter horror movies revel in bloodshed and carnage, delivering thrills and chills in equal measure.

Central to splatter horror is its unabashed depiction of excessive violence and gore, often taken to absurd and cartoonish extremes. Whether it’s gallons of blood spraying across the screen, limbs being severed with abandon, or bodies being mutilated in graphic detail, these films leave little to the imagination when it comes to portraying the horrors of the human body. Through elaborate practical effects, creative use of prosthetics, and innovative filmmaking techniques, splatter horror movies transform violence into a spectacle, shocking and thrilling audiences with its audacity and intensity.

Another hallmark of splatter horror is its emphasis on gore-filled spectacles that push the boundaries of visual storytelling. Whether it’s a group of teenagers meeting grisly ends at the hands of a masked killer or a horde of zombies tearing apart unsuspecting victims, these films revel in creating elaborate set pieces that showcase the creative talents of their filmmakers and special effects artists. From elaborate death traps to elaborate kill sequences, splatter horror movies deliver jaw-dropping moments of carnage and mayhem that leave audiences both horrified and exhilarated.

Beyond its excessive violence and gore-filled spectacles, splatter horror also excels at shocking and transgressing societal norms and taboos. Whether it’s a subversive commentary on contemporary culture or a gleeful celebration of the forbidden and the taboo, these films challenge audiences to confront their deepest fears and darkest desires. Through provocative imagery, provocative storytelling, and provocative themes, splatter horror movies push the boundaries of good taste and decency, inviting viewers to revel in the chaos and mayhem of the human condition.

Slasher Horror

Slasher horror cinema, with its masked killers, inventive kills, and relentless pursuit of terror, stands as one of the most iconic and enduring subgenres of horror. Rooted in the cultural anxieties of the late 20th century, these films offer a visceral and adrenaline-fueled experience, tapping into primal fears and primal desires with chilling effectiveness. From deranged serial killers to vengeful spirits, from isolated cabins to suburban neighborhoods, slasher horror movies captivate audiences with their relentless tension, shocking twists, and unrelenting violence.

At the heart of slasher horror lies its iconic killer, a menacing figure shrouded in mystery and menace. Whether it’s the silent stalker Michael Myers, the vengeful spirit Freddy Krueger, or the unstoppable force Jason Voorhees, these characters have become synonymous with the genre, their masked visages haunting the nightmares of audiences for generations. With their relentless pursuit of victims and their inventive methods of murder, slasher killers embody the darkest fears and fantasies of the human psyche, transforming the mundane into the macabre and the ordinary into the terrifying.

Another hallmark of slasher horror is its emphasis on inventive kills and elaborate death sequences that push the boundaries of visual storytelling. Whether it’s a teenager meeting a grisly end at the hands of a masked killer or a group of unsuspecting victims falling prey to a series of deadly traps, these films deliver jaw-dropping moments of carnage and mayhem that leave audiences both horrified and exhilarated. Through elaborate practical effects, creative use of prosthetics, and innovative filmmaking techniques, slasher horror movies transform violence into a spectacle, shocking and thrilling audiences with its audacity and intensity.

Central to the slasher horror formula is the concept of the final girl, a resilient and resourceful survivor who outwits the killer and emerges victorious against all odds. Whether she’s a lone survivor battling against impossible odds or a group of unlikely heroes banding together to defeat a common foe, the final girl embodies the triumph of the human spirit in the face of unimaginable terror. Through her bravery, intelligence, and determination, she becomes a symbol of hope and resilience, inspiring audiences to confront their own fears and fight back against the darkness.

Body Horror

Body horror cinema, with its visceral depictions of physical transformation, mutilation, and decay, occupies a uniquely grotesque and unsettling niche within the horror genre. Rooted in the anxieties of the human body and the fear of bodily violation, these films explore the boundaries of corporeal existence, challenging viewers to confront the fragility and vulnerability of their own flesh. From grotesque mutations to invasive parasites, from surgical horrors to psychological disintegration, body horror movies offer a disturbing exploration of the limits of the human form and the horrors that lie within.

At the heart of body horror lies its exploration of metamorphosis and mutation, as characters undergo grotesque transformations that defy comprehension. Whether it’s a gradual transformation into a monstrous creature or a sudden mutation triggered by scientific experimentation, these films tap into primal fears of bodily change and loss of identity. Through elaborate practical effects, intricate prosthetics, and innovative visual effects, body horror movies bring these transformations to life in vivid and horrifying detail, immersing viewers in a nightmarish world of flesh and bone.

Another hallmark of body horror is its depiction of invasive and parasitic entities that infiltrate and corrupt the human body from within. Whether it’s a parasitic organism burrowing beneath the skin or a malevolent force taking control of its host, these films explore themes of bodily invasion and loss of autonomy. Through graphic imagery, visceral sound design, and psychological tension, body horror movies evoke a sense of primal revulsion and dread, challenging viewers to confront their deepest fears of bodily violation and existential uncertainty.

Beyond its visceral depictions of physical transformation and mutilation, body horror also explores themes of psychological disintegration and existential dread. Whether it’s a character descending into madness as they confront their own mortality or a society crumbling under the weight of its own decay, these films probe the darkest recesses of the human psyche with unflinching intensity. Through surreal imagery, existential themes, and psychological terror, body horror movies immerse viewers in a world where the boundaries between reality and nightmare blur into darkness, leaving them questioning their own perceptions of self and reality.

Comedy Horror

Comedy horror cinema, with its blend of frights and laughs, occupies a delightfully absurd and entertaining corner of the horror genre. Rooted in the tradition of horror-comedy hybrids, these films offer a unique and often irreverent take on classic horror tropes, combining scares with humor to create an experience that is both chilling and hilarious. From slapstick gags to witty one-liners, from supernatural shenanigans to monstrous mayhem, comedy horror movies invite audiences to embrace the absurdity of the genre and revel in the joy of being scared silly.

At the heart of comedy horror lies its penchant for absurd premises and outlandish scenarios that defy logic and reason. Whether it’s a group of bumbling teenagers facing off against a horde of zombies or a family of werewolves struggling to fit in with suburban society, these films revel in the absurdity of their concepts and the hilarity of their execution. Through over-the-top performances, outrageous sight gags, and tongue-in-cheek humor, comedy horror movies turn traditional horror tropes on their head, inviting audiences to laugh along as they’re being scared senseless.

Another hallmark of comedy horror is its use of meta-humor and parody to poke fun at the conventions of the genre. Whether it’s a self-aware nod to classic horror films or a tongue-in-cheek spoof of contemporary trends, these films delight in subverting audience expectations and playing with genre conventions. From clever references to iconic horror moments to sly digs at Hollywood clichés, comedy horror movies offer a treasure trove of Easter eggs and inside jokes for fans to discover, rewarding repeated viewings with new layers of humor and insight.

Central to comedy horror is its ensemble of irreverent characters and outlandish situations that drive the narrative forward with a blend of humor and horror. Whether it’s a wise-cracking vampire hunter, a lovable monster with a heart of gold, or a hapless victim stumbling into one misadventure after another, these films feature a colorful cast of characters who embrace the absurdity of their predicaments with gusto. Through witty banter, zany antics, and unexpected plot twists, comedy horror movies keep audiences on their toes, never knowing whether to laugh or scream at the chaos unfolding on screen.

Postmodern Horror

Postmodern horror cinema, with its self-awareness, genre-bending narratives, and meta-commentary, stands as a captivating and intellectually stimulating subgenre within the realm of horror. Rooted in the cultural shifts and anxieties of the late 20th and early 21st centuries, these films challenge traditional notions of storytelling and audience expectations, offering a thought-provoking exploration of the medium itself. From deconstructing classic horror tropes to blurring the boundaries between reality and fiction, postmodern horror movies invite audiences on a journey into the labyrinthine corridors of the human psyche and the ever-evolving landscape of popular culture.

At the heart of postmodern horror lies its deconstruction of genre tropes and conventions, as filmmakers subvert audience expectations and challenge traditional storytelling norms. Whether it’s a self-aware nod to classic horror clichés or a meta-textual commentary on the nature of fear and suspense, these films delight in turning familiar tropes on their head and exposing the underlying absurdity of horror conventions. Through clever dialogue, narrative twists, and visual references, postmodern horror movies offer a playful and irreverent take on the genre, inviting audiences to question their assumptions and embrace the chaos of the unknown.

Another hallmark of postmodern horror is its use of metafictional narratives that blur the boundaries between reality and fiction, author and audience. Whether it’s a story within a story, a film within a film, or a character who becomes aware of their own fictional nature, these films challenge traditional notions of narrative coherence and audience engagement. Through intricate plot structures, unreliable narrators, and recursive storytelling techniques, postmodern horror movies immerse viewers in a hall of mirrors where truth and illusion become indistinguishable, leaving them questioning their own perceptions of reality and fiction.

Central to postmodern horror is its exploration of cultural commentary and satire, as filmmakers use the genre as a vehicle for social critique and political commentary. Whether it’s a critique of consumerism and corporate greed, a satire of celebrity culture and media sensationalism, or a reflection on the anxieties of the digital age, these films engage with contemporary issues and themes in provocative and thought-provoking ways. Through allegory, symbolism, and subtext, postmodern horror movies invite audiences to interrogate the underlying fears and anxieties that shape the world around them, offering a mirror to society’s darkest impulses and deepest fears.

When a Stranger Calls (Original) Review

by Finn the Brave, posted in Movies

Introduction

Traveling was a major part of my childhood, both overseas and stateside.  My family’s love for exploring was definitely passed on to me, and some of my best memories were made on these trips.  Roadtrips in particular were, and still are, my favorite way to go on adventures.  As an adult, before I go on trips, I always download plenty of audio books to listen to as I drive.  This is another habit I developed as a kid; because I used to get really car sick, I couldn’t ever read or draw during long drives. Instead, I got used to listening to books while looking out the window.  When these books were finished, or we just needed a break from a narrator blaring over the speakers, my mother would tell me stories.  

Now I don’t know what kinds of stories “normal” parents tell their kids, but my parents are far from “normal”, which is probably why I grew up hearing urban legends, movie plots, and serial killer case files as stories.  One of these stories that scared me the most was an urban legend “The Babysitter and the Man Upstairs”.  I used to babysit and be left alone a lot when I was younger, which is probably why this one affected me so much.  Apparently, this legend was based on the real murder case of Janett Christman, a cold case file from 1950 that remains unsolved to this day.  

Multiple movies have been inspired from this  urban legend, and I have seen almost all of them except the original: When a Stranger Calls.  Made in 1979 by Fred Walton, it did well financially but received poor reviews by film critiques due to lack of “scares”. With this in mind, I sat down with some popcorn, made the room as dark as possible, and turned on the movie, ready to judge for myself whether or not it was a good horror film.     

Horror Elements

In the hushed stillness of the night, where every creak of the floorboard becomes a sinister symphony, and each ringing phone note holds the potential for unspeakable horror, emerges a cinematic classic that will have you glancing over your shoulder long after the screen fades to black.  As the clock ticks away, echoing through the corridors of suspense, we embark on a relentless journey into the depths of fear, where an innocent babysitting job turns into a nightmarish confrontation with the unknown.  The piercing ring of the telephone becomes a haunting melody, foretelling a series of events that will send shivers down your spine and make you question the safety of your own home- the one place that should be safe.

Well, at least the first 20 minutes of the movie do this, and I do mean ONLY the first 20 minutes.  In my opinion the rest is weird, unflowing, and extremely boring.   However, the film does end up contributing greatly to the horror genre as a whole, and one of these contributions is accomplished through the main character.

Are the characters unique?  In simplest terms, no.  Both the antagonist nor protagonist is particularly unique as there have been many babysitters and many serial killers in many, many horror films.  However, focusing on the protagonist, what does make her unique is her believability.  Jill Johnson, the main “good” character within the filim, stands as an unwavering pillar against the encroaching darkness.  She is portrayed with haunting authenticity, her character epitomizing resilience in the face of unimaginable terror.  As the unsuspecting babysitter plunges into a nightmarish ordeal, her journey unfods as a masterclass in survival against the enigmatic stranger lurking in the shadows.  With every pulse-quickening encounter and each nerve-wracking phone call, Jill’s tenacity becomes a beacon of hope, proving that courage can emerge even from the darkest corners of fear.  This really is one of the first females to emerge victorious within the horror genre, and I feel she contributes greatly to an ever-growing “heroine turns the tables on evil” sub-genre that seems to be cropping up ever more.    

Another horror element they excelled at were the film’s audio cues.  These serve as an invisible puppeteer, manipulating the audience’s emotions with every creak, every whisper, and every heart-stopping ring of the telephone.  The masterful use of sound design amplifies the tension, creating an atmosphere where the silence becomes as terrifying as the crescendo of haunting melodies.  The subtle orchestration of footsteps, the ominous hum of background noise, and the nerve-rattling phone calls work in symphony to immerse viewers in an auditory nightmare.  I wanted to address this aspect within the “Movie Elements” section, but considering the sound did an excellent job in actually scaring me, I decided to mention it here, though it could as easily transitioned us into our next topic of the “Movie Elements”.

Movie Elements

Bathed in an eerie palette of shadows and suspense, the cinematography of “When a Stranger Calls” stands as a testament to the artistry that elevates a horror film from a mere scare-fest to a visual masterpiece.  The film’s visual language, expertly crafted by the cinematographer, weaves a tapestry of tension and unease, immersing the audience into the heart of psychological terror.  Each frame becomes a calculated brushstroke, creating an atmosphere where every dimly lit corridor and ominous silhouette serves as a harbinger of impending dread.  The play of light and darkness becomes a character in itself, intensifying the spine-chilling narrative and amplifying the audience’s sense of vulnerability.

As the clock ticks through the corridors of cinematic history, “When a Stranger Calls” stands as a paradox, with its opening 20 minutes etched in the annals of horror brilliance.  The initial scenes, featuring the ominous phone calls and the ever-growing tension of the babysitter’s plight, are nothing short of masterclass in suspense.  The calculated use of silence, the gradual build-up of dread, and the harrowing realization that the call is coming from inside the house create an unparalleled sense of unease.  However, as the narrative unfolds, the subsequent acts fail to sustain the same level of intensity, leading to a diminishing return of the initial promise.  To me, this was just un-forgivable.  

Conclusion

Though I love the opening scene (have I already mentioned this?), I can understand why the overall film got negative reviews.  Most of the movie was boring and didn’t seem to flow well, nor make much sense.  Honestly, perhaps I’m biased, but I feel my mom tells this story better than the movie itself did.  Despite this, I would recommend at least seeing this movie once, as it is a classic within the horror genre, which helped numerous other films work their way into our nightmares.  Thank you for joining me as we navigated the chilling narrative, examining the artistry that goes beyond the jump scares, plunging into the psyche of a movie that has become synonymous with the fear of the unknown.  As you finish reading this, are you ready to answer your next call?  Because once you pick up the phone, there’s no escaping the terror that lurks on the other end.

Final Scare Me Please Score: Just watch the first twenty minutes, out of 100

Sources:

When a stranger calls (1979 film) (2023) Wikipedia. Available at: https://en.wikipedia.org/wiki/When_a_Stranger_Calls_(1979_film) (Accessed: 29 July 2023). 

The Hoarder Review

by Finn the Brave, posted in Movies

Introduction

So far the movies I have reviewed here have been decent picks. Then came The Hoarder, a slasher film I watched for free on one of my favorite platforms, Tubi. Directed by Matt Winn in 2015, I was excited to watch this one based on the description:

“When Ella discovers that her boyfriend is renting a secret storage unit, she becomes suspicious. She breaks into the storage unit with her friend Molly and discovers something sinister.”

They don’t give away too much and the use of the terms “suspicious” and “sinister” appealed to me.

Being completely free and having a surprisingly large number of horror films, Tubi pretty much meets all my criteria for a number one app on my TV. What it doesn’t include, however, are trailers or ratings. Now this can be good or bad. This “blind” choosing has lead me to gems such as “Aftermath” and “Wretched”; I’m very thankful to have watched. On the bad side, it’s also caused me to endure The Hoarder.

When I write these reviews, I always watch the film at least two times, just to make sure I didn’t miss anything and give it a fair chance. That means, that since I suffered two times, YOU should have to experience it too. So grab a drink, find a comfy place to sit, and prepare yourself for 1500 words of nitpicking.

Horror Elements

There is absolutely no backstory to this film at all. No reason why the fiancé is so untrusting, no reason for the antagonist’s actions, no reason why anyone does anything that they do. There might be a sentence or two in an attempt to enrich character development/plot, but nothing more. Audio/music was about the same and the only suspense I had was wondering how much longer I had to deal with the characters before they got killed.

Nothing about this movie was realistic; allow me to give some examples (i.e. complain). For starters, why in the world would the main character think her fiancé would keep a journal of him cheating on her at all, let alone in a storage unit. If he actively used it, then he’d stash it at his office and if it was past inequities, then he would’ve just junked it. Overall just a lame plot set-up.

Next, why the heck are there so many people in those storage units right when it’s closing? Is that just where people go to hang out in the evenings? I can understand a couple, but there were seven for crying out loud! Then, the lady sees her friend get killed by the “creature” and she seriously refuses to leave without her- no way. She would’ve ran outside, called the police, and stayed out there while they handled it. While we’re on the topic of the “creature”, why was he even going around killing random people? How were any of them able to eat if their mouths were stapled shut? And why wouldn’t they just pull the damn staples out?? And WHY was a pudgy, middle-aged man who works a sedentary job, able to beat up everyone else so easily, despite them being younger and in much better shape??? I mean in the final scene, it was two against one and the two even had a gun! Sadly, these are questions I may never know the answers to.

I also feel it pertinent to mention how incredibly unrealistic one of the end scenes was: the main character is being chased by what she now knows is the psycho killer. He is attempting to capture her so he can staple her mouth shut and imprison her forever in a storage locker. While madly running away, she stumbles into a box that has her name on it. What does she do? Did you guess: Run right past it to the nearest exit, grabbing something along the way to use as a weapon, escaping outside to her car, driving away while calling the police? If you did, then you were wrong! Instead, she stops to go through her belongings very very VERY slowly, giving the killer ample time to sneak up on her, thus enabling him to add her to his perverse assortment of prisoners.

Tangent

I know I’ve been pretty negative so far in this review, so let me try “The Sandwich” technique for this section. If you’re not familiar with what this is, I’ll explain it to you. “The Sandwich” is used when giving feedback, particularly if there’s a criticism involved. Basically, the person giving the feedback starts with a compliment, or something positive. After this comes the criticism, followed up by another bit of positivity.

For Example:

Compliment: Wow, that’s a really cute hamster at the beginning of the film.

Critique: I can’t stand any of these characters, how long does this film go on for, just be done already, I don’t think I’m gonna be able to make it through another 20 minutes of this acting, why why why did I pick this to watch…

Compliment: Well, it’s not the worst I’ve seen.

Now with that brief lesson over, back to the review.

Movie Elements

To start with a positive, there’s a really cute hamster in one of the scenes. The hamster doesn’t die and looks really happy. It’s also a bit plump, which adds to the cuteness.

Cinematography was “meh”; It wasn’t terrible but it wasn’t great. I have nothing to remark on in regards to the pacing either. Plot, however, is a different story. Let’s start with the event that sparked the main characters even going to the storage unit. Two of the characters are talking at the beginning, one is about to get married while the other is her friend.  

Allow me to just share the first sentence I wrote during my review:

“It’s been 15 minutes and I already hate all the characters.”

Poor acting, stale dialogue, and zero character development. I really don’t know what else to say about this. If the actors would have intentionally tried to be terrible, it would have almost been entertaining, but as they were taking things serious, I can’t even give the “entertainment” factor a thumbs-up.

Despite it’s flaws, I will give the movie credit for originality in regards to the plot’s premise. Did it go in a great direction? No. Did I like the ending? No. Could the idea be redone and turned into something super scary and horrific? Yes. Honestly, this movie could have been really good; the claustrophobic feeling of being stuck within the units, being chased by some humanoid creature, not sure how to escape, no cell service with the thick walls of the building- all this could easily equate to high quality horror.

Conclusion

If the previous paragraphs weren’t clear, allow me to summarize my thoughts: I did not like this movie. As mentioned earlier, it was a good idea that had potential to be a great scary movie… but it just wasn’t. Honestly, it was the details that killed it for me. I can forgive crap acting and lame dialogue, if attention is paid to the small details. This film felt like a family got together for a reunion one year and decided, “Hey, let’s make a movie!”, and slapped everything together over a four day weekend. It just didn’t feel like any passion for horror went into this at all, which leads me to our rating:

Final Scare Me Please Score: The Hamster was the Best Part of the Movie, Out of 100

Have you watched this movie? What did you think? Anything we missed? Have an idea for what we should watch next? Drop a comment below to let us know!

Lit up house with a pool

Suspense and Horror: Why Aftermath Stands Out

by Finn the Brave, posted in Movies
Lit up house with a pool

Introduction

Imagine after months of saving and searching, you’re finally moving into your new dream home.  After haggling with the owners, you manage to knock down the price into a range that you can afford.  You never imagined being able to live in such an upscale house you are ecstatic when the paperwork goes through.  There is some dark history behind the house, but that’s easy to ignore when you jump into the swimming pool, your swimming pool.  Does this sound ideal?  It certainly did to the main characters in the movie Aftermath, a film directed by Peter Winther that was released in 2021.

Just like the theatrical trailer, the film summary provided on Netflix, where I watched the movie, is vague as to what exactly is going to unfold within the story:

“Desperate to save their marriage, a young couple takes a deal and moves into their dream home, but disturbing events reveal the house’s troubled history.”

I very much appreciate when trailers do not give away too much about the film and this one certainly did not.  It was difficult to classify what type of horror this film was as there’s a bit of a twist to it, but ultimately I’d classify it a mixture of mystery/thriller/horror.  

Horror Elements

Based on a true story (which I’ll delve into later), the movie has a captivating introduction of a 9-1-1 call and an unfolding of a crime scene.  This will play a role later on, but for the introduction it provides backstory that sets the stage for the rest of the plot to play out.  Why was the couple able to move into a house that is well out of their price range and yet once the paperwork is done they feel stuck there?  Well, because of the murder/suicide that took place there, that’s why.  

The two antagonists in the film were nothing special; certainly creepy, but not particularly scary once you actually know what’s going on in the story.  Personally, the idea of somebody being that devious and taking away your feeling of safety within your own home was far scarier then when the main characters finally saw the flesh-and-blood person in their home.    

With a lot of the plot being based on a true story, the whole movie felt a lot more “real” than most.  Add great acting, well-developed characters, likable protagonists, and boom- you have a sturdy base for your horror movie to stand on.  Something I wrote multiple times in my notes while watching was “FINALLY SMART CHARACTERS”.  What do I mean by this?  To start, whenever the wife heard a scary noise or saw something spooky, she immediately grabbed a weapon and/or called the police.  None of this “is somebody there?” nonsense you typically see in movies.  Also, the main character was relentless in proving there was something wrong with the house by investing in security cameras and hiding a secret camcorder in her bedroom, an action that eventually leads to the antagonist being caught.  

Photo by Jakub Zerdzicki on Pexels.com

One of my favorite lines from the movie, and one I feel to be extremely realistic, takes place right after the couple wake up in the middle of the night to a loud noise.  Hearing footsteps downstairs, the husband bolts out of the room, leaving his wife alone.  Instead of waiting for him to return, like I’ve seen in countless other movie scenes, she yells, “Kevin don’t f*cking leave me up here!” before running out of the room to follow him.  She also made sure to stab the killer again even after he was presumed dead, just to make sure- thank you! 

 Music and audio cues for each scene are executed extremely well, including the jump scares, in which there were only three in the entire movie, one of which made me scream so loud I got a sore throat.  Suspense, however, is what sets this movie apart from others.  There’s no clear look at the “monster” until the final climax scene which occurs during the last 15 minutes of the film.  Instead, the audience has a full 1:45 minutes of complete dread to sit through until it can finally be released through the final fight scene.  In fact, this tension got high for me, I actually had to pause the movie at about 45 minutes in, to just breathe and let my heart rate return to normal.  

Movie Elements

Though I felt the movie creatively added certain horror elements to an already scary situation, I can’t give the filmmakers full credit for originality considering it’s based on the true story of a young couple from California.  Basically, a young couple ended up outbidding someone on an amazing house in Carmel Valley, CA.  After moving in around November, weird things started happening.   The wife began to receive flowers with creepy notes, their mail kept getting stopped, and hundreds of dollars worth of magazine subscriptions were delivered in their names.  

Things escalated around Valentine’s Day, when eight irate neighbors descended upon the husband; all the wives in the neighborhood received inappropriate gifts that had the young couple’s address/the husband’s name on it.  Finally, things reached their peak when multiple strangers dropped by the home attempting to rape the wife.  It was then discovered an ad had been put in the paper advertising the address with a picture of the wife, inviting men into her home.  It was shortly after this discovery was made that the police arrested Kathy Rowe, the person whom the couple had originally outbid on the house.  

All of this was included within the movie, (in addition to a few twists and additions) which to me, made everything a bit scarier knowing it had been a real story.  The pacing was great and kept my interest the entire two hours, quite a feat considering I have ADHD.  I will say there was a bit too much drama for my taste, but despite this, the movie was still quite entertaining.  I’m not quite sure where to mention this, but I have to acknowledge how much the dog Odie added to the movie too.  There were quite a few scenes (at least five) that were made scary only because of the dog.  For example, at one point the wife is playing fetch with the pupper when the ball rolls under her bed, getting stuck.  She leaves the room (he follows her) to retrieve something long to get the ball unstuck.  When she returns a few moments later, the ball is sitting on top of her bed.  No change in music, no image of the antagonist, nothing dramatic whatsoever, yet it produced the desired effect:  fear.  Fear is at its peak during horror scenes when the director understands and allows the audience’s imagination to take over in place of “special effects”.

Cinematography, though not elaborate, was great, with the entire set feeling “dark”.  Lighting was not an issue either, as despite the gloom, the audience could still see everything going on.  For some scenes, there was a “fisheye” effect used, which at first I thought would be distracting, but ending up making the scene more intense as it hyper focuses on the main character in the middle of the screen, allowing for the edges of the lense to appear stretched, distorted, making anything (or anyone) you see to appear way creepier than normal.  I have seen this done in other films before in such a way that was distracting, I believe because there was too much of the effect, too dramatically done, whereas the effects and angles in this film were subtle.   

Conclusion

After looking around the internet for other reviews, I was discouraged to see Aftermath didn’t seem to do too well.  Though not an award winner by any means, I still feel it should get more credit than it did and is certainly one I would recommend watching.  It did an excellent job building up a thick layer of suspense for the audience, making it an excellent choice for mystery/thriller fans.  This movie did a lot right, but one major critique would be the “why” behind the old lover living under the stairs.  During the final 15 minutes, there was a flashback in conversation that went into it slightly, but there were no details, and the final explanation during the end scene felt rushed at best.  Again the audience has to make some of their own inferences, which is fine,  but certainly it could have been a bit smoother.  All in all, a worthy watch and one that isn’t diminished when rewatched either.  

Final Scare Me Please Score: Just padlock the door under the stairs shut, out of 100

Photo by Pixabay on Pexels.com

Have you watched this movie? What did you think? Anything we missed? Have an idea for what we should watch next? Drop a comment below to let us know!

Official Trailer

Sources:

San Diego couple still scared after a year of torment from jealous home   bidder. ABC7 Los Angeles. (2015, February 13). Retrieved March 30, 2023, from https://abc7.com/rape-san-diego-kathy-rowe-jerry-rice/475504/ 

Wikimedia Foundation. (2023, March 23). Aftermath (2021 film). Wikipedia. Retrieved March 30, 2023, from https://en.wikipedia.org/wiki/Aftermath_(2021_film) 

Ouija : Origin of Evil Review

by Finn the Brave, posted in Movies

Introduction

There are a lot of films that use Ouija boards as the main element of their horror, but only a few do this well.  Ouija:  Origin of Evil is now among my top three favorite ouija-themed horror films, Veronica and I Am Zozo being the other two.  Made to be a prequel to the original Ouiji movie, this film came to theaters just two years afterwards in 2016.  Directed by Mike Flanagan, this summary of the film was provided by Paramount Pictures:

“In 1967 Los Angeles, widowed mother Alice Zander unwittingly invited authentic evil into her home by adding a new stunt to bolster her seance scam business.  When the merciless spirit overtakes her youngest daughter Doris, the small family must confront unthinkable fears to save her and send her possessor back to the other side.”

I’m not quite sure what was meant by “authentic” evil, but overall this is a pretty darn accurate preview of what is to come.  The official trailer, on the other hand, I was not a fan of.  I feel as though way too much of the movie was given away, especially certain plot twists that were surprising.  If the trailer was condensed into just the first minute, it would’ve portrayed the lighthearted feel of the beginning and touch upon the fear that will soon intrude on the characters’ lives. 

As this is the first movie review in this series, I’ll include the six horror elements I’ll examine:  Unique Antagonist, realism, backstory, suspense, audio cues, and believable protagonist.  

Horror Elements

Supernatural subgenres of horror films have a tough time coming up with unique antagonists as so many have already been done.  This is probably the weakest element of horror within the entire film.  Essentially, there’s a demon invited into a house that possesses a child; I’ve seen at least 100 scary movies with a similar plot line.  The “monster” in this is not unique in any way, shape, or form.  

Thankfully, the director did an excellent job making the movie seem “real”.  Not only does the music, setting, and speech create a feeling of being in the 1960s, but the character’s actions are realistic as well.  This is prevalent when the board helped the family find money when they were about to lose their house; it creates a believable reason as to why they accepted this supernatural entity, allowing it fully into their lives. 

Another few realistic points I appreciated happened towards the end of the film. Despite wanting to immediately leave the home, the youngest daughter calls for help from downstairs, and, being a close-knit family, they feel it necessary to go after her.  Honestly, if there was a demon in my house and I was calling for help from the basement, I know my family would come for me too (not like we’ve discussed this in great length before), so this was highly relatable.  In addition to this, the characters agree that splitting up would be a terrible idea, they immediately throw the ouija board in the fire, and the priest mentions he has no idea if burning it will actually work, so nobody should let their guard down.  Thank you!  Finally, smart characters!

Though I plan on reviewing the first Ouija movie in detail sometime in the near future, I will say that it left quite a few plot holes that this prequel did a satisfactory job filling.  It gives a reason for the Ouija board being in the house, the reason for the hidden basement, and a reason for why the three main characters appear the way they do in the other film.  Incorporating the post-war story also made the whole plot stronger and feel more realistic.  

The music and sound effects, though nothing special, were effective nonetheless.  Suspense, on the other hand, was done quite well as the entire first 45 minutes (half the movie) didn’t show the supernatural entity at all, leading to a continual build up of tension.  Jump scares were also kept to a minimal level which I respect.  Even the initial introduction of the ouija board was done in such a normal, nonchalant way, it developed a sort of “unsettling” feeling that lingered throughout the entire film.   

Movie Elements

Though not an original idea (it was a prequel afterall), nor particularly creative, I will cite again the great job done in regards to filling plot holes in from the first movie.  I understand this does not encompass the definition of creativity within film; however, I still believe it deserves some credit as it requires imagination and good story telling (both require creativity) in order to accomplish this successfully.  Cinematography also did a great job of progressing the plot in the background as a story was unfolding in the foreground.  

A great example of this is when the family arrives home to a “Foreclosure” notice on their front door.  The mother is sitting on the front steps upset and the older daughter is out there attempting to comfort her.  With the front door ajar, you can see the youngest daughter moving around in the background, and although it’s blurry, ends up being a significant factor within the story.  This was an excellent storytelling technique as it forces the viewer to pay more attention to the story, all well telling more within the same amount of time.  

With no concrete image of the antagonist until 45 minutes into the film, the pacing was also done quite well.  As I mentioned earlier, this creates an authentic feeling of suspense.  Pair this ominous mood, with the minimal jumpscares, and you have the audience on edge throughout most of the movie as there was no way to release tension until they actually start to fight the demon at the end.  To me, this is when things stop being scary, but I understand scary movies like a good final fight scene.   

Pacing direct scares did not make the movie boring by any means; it was quite entertaining and I have now watched it multiple times.  You can enjoy this movie without having any idea there is a second one, though it is kind of fun to catch the references.  The characters are believable and the acting is good.  Overall, the change in personality of the little girl is eerily done, starting small with the cursive scene (since when can you write in cursive?) to the more brutal scene of the slingshot (did that kid lose his eye?).  This only works because of the initial character development done early on in the film when we are shown how close these three women truly are.

Conclusion

Though it’s not on my “Top Ten” list, I certainly did enjoy Ouija: Origin of Evil.  It did an excellent job with foreshadowing and creating a suspenseful mood.  My favorite (scariest) scene was when the priest does a reading with the family where he asks the ouija board questions himself.  Essentially he “tricks’ ‘ it by thinking incorrect answers so as to prove it was not really his beloved wife he was “speaking” with, but a malevolent force of evil instead.  This, to me, was executed so well it still gives me goosebumps when I watch it.  I also enjoyed that it was a bit of a “throw back” to the original film where one of the characters attempted the same thing, with similar results.    

My biggest complaint with this movie was the ending.  It would’ve been acceptably scary if it ended with the older daughter staring at the psychiatrist from within her cell at the mental institution.  He had glimpsed two girls in the room as he walked past, double backed, and made creepy, prolonged eye contact with her.  It should have just ended right there, but unfortunately it did not.  Instead, it ended with a cheap jump scare, showing the demon girl crawling on the ceiling before cutting out.    Is it too much to ask for a subtle ending?  Does no director believe in the “less is scarier” concept?  This was a huge let down for me, contributing to it not being higher on my list of favorite horror movies.  

Final Scare Me Please Score:  Splitting up sounds like the dumbest thing in the world right now, out of 100

Have you watched this movie? What did you think? Anything we missed? Have an idea for what we should watch next? Drop a comment below to let us know!