Marrowbone

Introduction

“Marrowbone” is a 2017 horror film directed by Sergio G. Sánchez, (he also was a screenwriter for another great horror film “The Orphanage” which I fully plan on reviewing here as well).  Essentially, the movie tells the story of a family who flees to a remote house in rural America to escape a dark past. However, sinister forces begin to unravel their fragile peace as they struggle to keep their secrets buried. The film weaves a tale of psychological horror, family bonds, and supernatural elements that keep the audience on edge throughout its entirety.

Horror Elements

The antagonist in “Marrowbone” is a malevolent force that threatens the fragile stability of the family at the center of the story. This character embodies various forms throughout the film, from external threats to internal conflicts and hidden secrets. Without a clear-cut villain in the traditional sense, the antagonist in “Marrowbone” manifests as a sinister presence lurking in the shadows, manipulating events from afar.  The film crafts a narrative where the true nature of the antagonist remains shrouded in mystery, leading to a sense of unease and paranoia among the characters and the audience alike. This ambiguity allows for multiple interpretations and keeps viewers guessing until the final revelation. 

Adding to the horror, the film’s musical score plays a significant role in building suspense and accentuating key moments of horror. Composer Fernando Velázquez crafts a haunting and atmospheric soundtrack that heightens the emotional impact of the story. Swelling strings, dissonant chords, and ominous melodies underscore moments of danger and uncertainty, intensifying the overall sense of dread.  Equally as scary, was the lack of sound.  Silence is inserted at just the right moments to magnify the feel of dread within the scene.

As the plot plays out, it’s quite clear just how much thought went into developing the backstory of the characters, both the good and the bad.  This influence permeates every aspect of the film, driving the family to desperate measures to protect themselves and their secrets. Whether it’s through subtle psychological manipulation or more overt acts of violence, the antagonist’s presence and mysterious backstory looms large, casting a shadow over the family’s attempts at redemption and reconciliation.  

What makes this particularly effective is its connection to the protagonists’ past traumas and buried secrets.  As the layers of the narrative are peeled back, the true extent of the antagonist’s influence becomes increasingly apparent, leading to a chilling climax that forces the characters to confront their darkest fears on screen.  

Movie Elements

One of the strengths of “Marrowbone” lies in its atmospheric tension and mood. Sergio G. Sánchez creates a palpable sense of dread, utilizing the isolated setting of the family’s dilapidated mansion to great effect. The cinematography enhances the eerie atmosphere, with dimly lit interiors and sprawling, misty landscapes adding to the sense of foreboding.  Throughout the movie, subtle ambient sounds are employed to create a sense of unease and tension. This might include the distant howling of wind, creaking floorboards, or the faint rustling of leaves outside the mansion. These sounds serve to establish the isolated and foreboding atmosphere of the setting.

The performances in “Marrowbone” are another highlight. The young cast delivers compelling and nuanced portrayals, particularly George MacKay as the protective eldest brother Jack and Anya Taylor-Joy as the mysterious local girl who befriends the family. Their chemistry adds depth to the characters and helps to anchor the emotional core of the film.  The relationships between the characters in “Marrowbone” are central to the film’s originality. These dynamics within the family unit are intricate and multifaceted, with each member struggling with their own inner demons and conflicts. The bond between the siblings, particularly the protective nature of the eldest brother Jack, adds depth to the narrative and distinguishes it from more traditional horror fare.

Furthermore, “Marrowbone” is bolstered by its intricate narrative structure and well-paced storytelling. The film employs a non-linear narrative structure, which adds layers of complexity and intrigue to the storytelling. Rather than presenting events in a straightforward manner, the film jumps back and forth in time, gradually unveiling the family’s troubled past and the secrets they harbor. This approach keeps the audience engaged and guessing, as they piece together the puzzle of the characters’ lives.  Though it’s certainly not the only film to ever utilize this style of plot progression, it was well-done and certainly told an interesting story in a unique way.  

Conclusion

As I prefer to do with all the movies I review, I watched it three times before writing this.  Though the fears and anxiety were only present during the first watch through, the movie was still quite enjoyable during the second and third viewings. Something I feel the need to mention here, is out of all the plot twists within horror movies I’ve watch, this is one of the few that actually gave me a strong physiological response:  nausea.  It was such an upsetting shock, I actually felt sick from it which is exactly what a good twist should do.  Maybe not the sick part, but extreme shock for sure.  Overall, “Marrowbone” is a captivating and atmospheric horror film that effectively blends psychological tension with supernatural elements. While it may not offer action-packed violence and gore, its strong performances, eerie atmosphere, and compelling storytelling make it a worthwhile watch for fans of the genre.  

Final Scare Me Please:  How could you ever live in that house after that trauma, out of 100

Marrowbone Official Trailer

Have you watched this movie? Did you figure out the plot before the great end-reveal?  Suggestions for what we should watch next? Drop a comment below to let us know!

When a Stranger Calls (Original) Review

Introduction

Traveling was a major part of my childhood, both overseas and stateside.  My family’s love for exploring was definitely passed on to me, and some of my best memories were made on these trips.  Roadtrips in particular were, and still are, my favorite way to go on adventures.  As an adult, before I go on trips, I always download plenty of audio books to listen to as I drive.  This is another habit I developed as a kid; because I used to get really car sick, I couldn’t ever read or draw during long drives. Instead, I got used to listening to books while looking out the window.  When these books were finished, or we just needed a break from a narrator blaring over the speakers, my mother would tell me stories.  

Now I don’t know what kinds of stories “normal” parents tell their kids, but my parents are far from “normal”, which is probably why I grew up hearing urban legends, movie plots, and serial killer case files as stories.  One of these stories that scared me the most was an urban legend “The Babysitter and the Man Upstairs”.  I used to babysit and be left alone a lot when I was younger, which is probably why this one affected me so much.  Apparently, this legend was based on the real murder case of Janett Christman, a cold case file from 1950 that remains unsolved to this day.  

Multiple movies have been inspired from this  urban legend, and I have seen almost all of them except the original: When a Stranger Calls.  Made in 1979 by Fred Walton, it did well financially but received poor reviews by film critiques due to lack of “scares”. With this in mind, I sat down with some popcorn, made the room as dark as possible, and turned on the movie, ready to judge for myself whether or not it was a good horror film.     

Horror Elements

In the hushed stillness of the night, where every creak of the floorboard becomes a sinister symphony, and each ringing phone note holds the potential for unspeakable horror, emerges a cinematic classic that will have you glancing over your shoulder long after the screen fades to black.  As the clock ticks away, echoing through the corridors of suspense, we embark on a relentless journey into the depths of fear, where an innocent babysitting job turns into a nightmarish confrontation with the unknown.  The piercing ring of the telephone becomes a haunting melody, foretelling a series of events that will send shivers down your spine and make you question the safety of your own home- the one place that should be safe.

Well, at least the first 20 minutes of the movie do this, and I do mean ONLY the first 20 minutes.  In my opinion the rest is weird, unflowing, and extremely boring.   However, the film does end up contributing greatly to the horror genre as a whole, and one of these contributions is accomplished through the main character.

Are the characters unique?  In simplest terms, no.  Both the antagonist nor protagonist is particularly unique as there have been many babysitters and many serial killers in many, many horror films.  However, focusing on the protagonist, what does make her unique is her believability.  Jill Johnson, the main “good” character within the filim, stands as an unwavering pillar against the encroaching darkness.  She is portrayed with haunting authenticity, her character epitomizing resilience in the face of unimaginable terror.  As the unsuspecting babysitter plunges into a nightmarish ordeal, her journey unfods as a masterclass in survival against the enigmatic stranger lurking in the shadows.  With every pulse-quickening encounter and each nerve-wracking phone call, Jill’s tenacity becomes a beacon of hope, proving that courage can emerge even from the darkest corners of fear.  This really is one of the first females to emerge victorious within the horror genre, and I feel she contributes greatly to an ever-growing “heroine turns the tables on evil” sub-genre that seems to be cropping up ever more.    

Another horror element they excelled at were the film’s audio cues.  These serve as an invisible puppeteer, manipulating the audience’s emotions with every creak, every whisper, and every heart-stopping ring of the telephone.  The masterful use of sound design amplifies the tension, creating an atmosphere where the silence becomes as terrifying as the crescendo of haunting melodies.  The subtle orchestration of footsteps, the ominous hum of background noise, and the nerve-rattling phone calls work in symphony to immerse viewers in an auditory nightmare.  I wanted to address this aspect within the “Movie Elements” section, but considering the sound did an excellent job in actually scaring me, I decided to mention it here, though it could as easily transitioned us into our next topic of the “Movie Elements”.

Movie Elements

Bathed in an eerie palette of shadows and suspense, the cinematography of “When a Stranger Calls” stands as a testament to the artistry that elevates a horror film from a mere scare-fest to a visual masterpiece.  The film’s visual language, expertly crafted by the cinematographer, weaves a tapestry of tension and unease, immersing the audience into the heart of psychological terror.  Each frame becomes a calculated brushstroke, creating an atmosphere where every dimly lit corridor and ominous silhouette serves as a harbinger of impending dread.  The play of light and darkness becomes a character in itself, intensifying the spine-chilling narrative and amplifying the audience’s sense of vulnerability.

As the clock ticks through the corridors of cinematic history, “When a Stranger Calls” stands as a paradox, with its opening 20 minutes etched in the annals of horror brilliance.  The initial scenes, featuring the ominous phone calls and the ever-growing tension of the babysitter’s plight, are nothing short of masterclass in suspense.  The calculated use of silence, the gradual build-up of dread, and the harrowing realization that the call is coming from inside the house create an unparalleled sense of unease.  However, as the narrative unfolds, the subsequent acts fail to sustain the same level of intensity, leading to a diminishing return of the initial promise.  To me, this was just un-forgivable.  

Conclusion

Though I love the opening scene (have I already mentioned this?), I can understand why the overall film got negative reviews.  Most of the movie was boring and didn’t seem to flow well, nor make much sense.  Honestly, perhaps I’m biased, but I feel my mom tells this story better than the movie itself did.  Despite this, I would recommend at least seeing this movie once, as it is a classic within the horror genre, which helped numerous other films work their way into our nightmares.  Thank you for joining me as we navigated the chilling narrative, examining the artistry that goes beyond the jump scares, plunging into the psyche of a movie that has become synonymous with the fear of the unknown.  As you finish reading this, are you ready to answer your next call?  Because once you pick up the phone, there’s no escaping the terror that lurks on the other end.

Final Scare Me Please Score: Just watch the first twenty minutes, out of 100

Sources:

When a stranger calls (1979 film) (2023) Wikipedia. Available at: https://en.wikipedia.org/wiki/When_a_Stranger_Calls_(1979_film) (Accessed: 29 July 2023).